I would have preferred a full concert recording from the Push the Sky Away tour, but this loose and casual 10-song show performed for the KCRW station in Santa Monica is a great live offering. It’s predictably dominated by the Push the Sky Away material, and the rest of the picks match the quiet, meditative mood of that album, bar the closer Jack the Ripper, a throwback to the fire-and-brimstone Nick Cave of old. It wouldn’t be a Bad Seeds gig without The Mercy Seat, their signature showstopper performed here as a stripped-down piano version with all the white-knuckle tension and power of the original.
I had a couple of biases to overcome in order to watch this movie. Firstly, the unattractive title that makes you think of some dumb third-rate summer comedy (a baby gets behind the wheel and hilarity ensues!). And then there was its lead actor, Ansel Elgort, whose punchable turn in the otherwise decent The Fault in Our Stars irritated the crap out of me. Well, I judged prematurely, because he’s more than fine in Baby Driver, and the movie itself is a rarity these days, a truly idiosyncratic thriller that doesn’t feel like a product of a committee.
This movie copped a massive backlash upon its release last year, and in all honesty it was practically asking for it, with its grossly misleading trailers and advertising which treated its premise as a twist and in the end made some viewers feel like they received a pretty glittery gift box with a dead puppy inside.
Here’s what the bullshit summary on my DVD rental reads like:
Jennifer Lawrence and Chris Pratt are two passengers onboard a spaceship transporting them to a new life on another planet. The trip takes a deadly turn when their hibernation pods mysteriously wake them 90 years before they reach their destination. As Jim and Aurora try to unravel the mystery behind the malfunction, they begin to fall for each other, unable to deny their intense attraction… only to be threatened by the imminent collapse of the ship and the discovery of the truth behind why they woke up.
Here’s what actually happens in the film (spoilers ahead):
I was a true Agatha Christie obsessive in my teens, and I’m pretty sure I’ve read every single novel and short story she’s ever written, in Russian translation. Even now that I can see the flaws in her writing more clearly, her knack for plotting and the ability to construct an elegant puzzle of a mystery – and doing it fifty times over – is pretty phenomenal.
A charming feel-good French drama/comedy about an unlikely friendship, The Intouchables is maybe not the most original film ever and doesn’t dig into its premise all that deeply, but it remains irresistible thanks to the exuberant lead performances and the film’s belief in the power of human empathy and resilience.
I watched the so-bad-it’s-good remake with Nicolas Cage a while ago, so I thought I’d look up the original British cult horror movie with Christopher Lee. I really mean it in the best possible way, but my reaction could be boiled down to, what the hell did I just watch?
This movie is just as entertaining and smartass as its title suggests. Penned and directed by Shane Black, who did The Nice Guys, another highly entertaining buddy/neo-noir comedy from last year, it similarly dances on the right side of knowing and snarky, and features another odd couple and much riffing on the noir detective tropes. It’s also a sign of being on the other side of 35 that this movie turned out to be twice as old as I thought it was. I could swear it was maybe six years old, but nope it was released in 2005.
I quite enjoyed the previous P.D. James murder mystery I’ve crossed paths with, but I didn’t have as much success with this last entry featuring Commander Adam Dalgliesh. Though seeing that it’s the 14th novel in the series, it’s not enough for me to cool down on them altogether. After all, a series this long-running is bound to produce some duds.
Maybe it’s just the power of lowered (and I mean lowered) expectations, but to my surprise I didn’t hate this much-maligned crossover, and, from a certain perspective, found it a more enjoyable experience than the recent Alien: Covenant. Or perhaps I was simply able to disassociate it from the Alien franchise altogether, and watch it on its own terms as a trashy B-movie. Which yes is filled with cardboard-thin characters, laughable plot and much stupidity, but I would be lying if I said I didn’t have fun watching it.