A perfectly watchable and enjoyable period romantic comedy-drama, with gorgeous scenery, decadent costumes and a fantastic role for Michelle Pfeiffer. I still couldn’t help but feel that it was a bit of a wasted potential, considering the talent involved.
Despite my usual cynicism about sequels and nostalgia, I thoroughly enjoyed this exhilarating and refreshingly old-fashioned blockbuster that improves on the original and, despite all odds, doesn’t feel like a shameless cash grab.
A lesser-known Hitchcock movie about survivors of a German U-boat attack during World War II, this tense survival thriller, set almost entirely aboard a tiny lifeboat, definitely deserves more love and attention.
I was already plenty pumped to hear the Melbourne Symphony Orchestra play John Williams’ greatest hits, but this special celebration of the 90th birthday of the film score maestro turned out to be even more magical.
By today’s desensitised standards, this horror classic – often cited as the Scariest Movie of All Time – is kinda dated, kinda slow and not that terribly scary. But its most notorious scenes and moments still have a power to disturb.
In this era of overlong and overstuffed movies, it’s nice to see a very simple story told well in under two hours, like this tender, sensitive and gentle modern fairytale from the French filmmaker Céline Sciamma.
I really enjoyed this peculiar, freewheeling Norwegian dark comedy-drama about a young woman battling indecisiveness as she approaches 30s, despite some problems with the writing that made it feel a tad shallow.