This strange hodge-podge of comedy and thriller from director Paul Feig can’t decide whether it wants to poke light-hearted fun at the recent thrillers like Gone Girl, or actually be the next Gone Girl. But it’s heaps of fun regardless.
An odd little movie about blues and redemption in Tennessee that is, surprisingly, much sweeter than its outrageous and trashy-sounding premise would have you think.
This remake of Let the Right One In, the Swedish film adaptation of John Ajvide Lindqvist’s haunting novel, doesn’t scale the heights of either but is a pretty good vampire movie in its own right.
I feel very fortunate to have caught the special IMAX session of this extraordinary documentary, celebrating the landmark achievement of the Apollo 11 moon launch fifty years ago. There’s nothing like an immersive IMAX experience, watching it at home would never have had the same impact.
This arty and frequently magnificent-looking Italian drama is a rich cinematic feast, if you’re prepared to sit back and go with the flow.
Like other Michael Haneke films I’ve seen, this beautifully shot black-and-white movie about a small German village just before the breakout of World War I is unsettling, mysterious, and doesn’t offer any easy answers.
I didn’t think it was a perfect movie, but I’ll give Hereditary this – it got to me like very few horror films ever have. I ended up watching maybe a third of it through my fingers, which I haven’t done since I was a child.