I can’t say if I “enjoyed” this artsy and perplexing sci-fi film in a conventional sense, but I always appreciate a unique movie and Under The Skin is certainly an original experience unlike anything I’ve seen before.
I broke my tradition of never going out on a Monday night during a working week to watch this 1986 David Cronenberg horror film at the Astor Theatre.
I read this remarkable landmark sci-fi novel all over again immediately after I finished it, which is exceedingly rare for me. I simply wasn’t satisfied with my first reading, which happened in short bursts separated by long periods of time; this is a kind of richly detailed and imaginative book that’s best appreciated by immersing yourself into it for a while.
Science fiction is a perfect medium for exploring “what if” scenarios, and the thought experiment in The Left Hand of Darkness goes like this: what would a human society look like if people had no fixed gender, and male/female dualism didn’t exist?
I’ve always had a soft spot for this black sheep of the Alien franchise, probably because I can never hate a movie that’s so utterly bizarre. Since I’ve re-watched Alien 3 recently I thought I might go back and bask again in its weird, awkward, misshapen glory.
My usual stance on this movie is living in Denialville; lalalalala not listening, Ripley, Newt and Hicks made it back to Earth and lived happily ever after with Jonesy the cat. For whatever reason, recently I felt an urge to revisit this dour and divisive entry in the Alien franchise, maybe because watching Alien: Covenant gave me a new appreciation for the installments that at least attempted to do something different.
I have a big soft spot for all things wacky and bizarre, and I enjoyed this colourful and wildly imaginative space fantasy from Luc Besson much more than I thought I would, after the so-so reviews. But if there was ever a movie killed by the horrendous casting choices, Valerian is surely it.
Watched the latest unsettling sci-fi mind-bender from Alex Garland, the writer/director of Ex Machina, that got dumped on Netflix for being “too complicated” for the wider audience. I’m sorry that I never got a chance to see it on the big screen, but good on the creative team for refusing to dumb it down.