I’ve now plowed through about one third of Agatha Christie’s detective oeuvre (only three more years to go before I finish them all, going by the current pace… wheee), but I’ve only now stumbled on a novel that features and is narrated by Hercule Poirot’s own faithful Watson, Arthur Hastings. I say stumbled because, while the details of the story gradually floated back into my memory the longer I read, especially the undeniably clever ending, this novel had kinda faded from my brain. Though maybe not the most memorable Poirot mystery ever, it’s not without its charms, not the least of which is the friendship between Poirot and Hastings. Everyone likes a bickering couple!
Hercule Poirot takes a midday flight from Paris to London, but thanks to acute motion sickness, can’t take time to observe the ten fellow passengers in his section of the plane. The diverse bunch includes a crime novel writer, a countess with a secret cocaine habit, father and son archaeologists, a Harley Street doctor, a young hairdresser back from a holiday and an attractive dentist in the opposite seat who she’s crushing on. As the plane nears its destination, the stewards make a shocking discovery: one of the passengers, an elderly French lady, is found slumped and dead in her seat.
After the Melbourne show rocked my world last week, I was even more excited for my second U2 concert in Adelaide and it was worth every cent spent. Different city, same awesome show from a different perspective.
The Joshua Tree tour finally landed in Melbourne! I danced, I sang, I lost my voice, I had an absolute ball finally watching my favourite band live again.
A peculiar blend of historical fiction and supernatural horror, The Terror is a chilling speculation on the fate of the doomed 19th-century polar expedition led by Sir John Franklin. I read almost half of it in a long marathon session while sick in bed, and by the evening I could almost hear the groaning of the ice and the howling arctic wind. Though it’s not an easy breezy read at over 900 pages long, it’s a meticulously researched, deeply absorbing and deeply nightmarish tour de force.
This biopic about Judy Garland’s final 1968 concert run in London has very little to it outside of masterful performance from Renée Zellweger, but what a performance.
A somewhat overlong but still fabulously entertaining caper movie about the lesser-known effects of the Global Financial Crisis, with a career-best performance from Jennifer Lopez.