I confess that most of my knowledge about A Streetcar Named Desire came from a classic Simpsons episode. But now I finally unwrapped the 1951 adaptation of Tennessee Williams’ stage play, after the DVD sat on my shelves for years.
This action comedy from Simon Pegg and director Edgar Wright is a little too long (seriously, which comedy from the last few years isn’t overlong?), but the enormously entertaining finale and the winning buddy chemistry between Pegg and Nick Frost more than make up for its flaws.
A stylish and eccentric thriller that feels thoroughly French despite the English-speaking cast and the New York setting, with Natalie Portman in what surely must be one of the most memorable child performances of all time.
A rare addition to the list of good Stephen King film adaptations, Gerald’s Game also impressively succeeds at making the practically unfilmable source material work as cinema.
There are worse ways to spend an evening in lockdown than watching Julia Roberts search for enlightenment in Italy, India and Bali.
Sometimes you end up watching a movie simply because its title and description sound way too arresting to ignore. “Anglican nuns in the Himalayas” was outlandish enough to draw me into watching this unusual and darkly sensuous 1947 British drama with Deborah Kerr.
I’ve been rewatching some of my old favourites lately, including this underappreciated 1999 thriller written and directed by Anthony Minghella. Though, judging by the amount of online articles that seem to be popping up to celebrate the film’s 20th anniversary, maybe it’s not so underappreciated after all.
I finally got around to watching this dark and gripping 2004 German drama about the last days of Hitler and the Third Reich. Realistic, hard-hitting, impeccably crafted, meticulously researched and detailed, Downfall is easily one of the best historical war films I’ve seen.
I went to the Astor Theatre with a friend for a Robert Eggers double feature: last year’s The Lighthouse and his debut film, The Witch, that I was happy to re-watch on the big screen. T’was a fun night of creepy folk tales and period horror. Now that the coronavirus is shutting theatres down, it’s strange to think that this might be my last cinema outing for a while, and that the last two films I’ve watched are about people going insane and killing each other in confined spaces.