I’m in a mood for foreign-language cinema, so I’ve watched this charming Spanish film (and Oscar winner in 1993 for Best Foreign Language Film) with very young Penélope Cruz.
cinema
The Favourite – Film Review
I love my conventional period costume dramas, but sometimes it’s nice to see a different take on the genre, and this deeply eccentric and sweary film hits the spot.
Roma – Film Review
This acclaimed movie is out on Netflix, but I jumped at the chance to watch it on the big screen in the comfort of the ACMI movie theatre. Though I found it easier to admire than to love, it was very much a worthwhile visit.
Movies I watched on the plane – Tully, Breath, Unsane
When I have to kill time on international flights I usually like to turn off my brain and watch some crappy movie I’d never bother to pay for at the cinema. This time around though I ended up watching some good movies!
Hard Candy – Film Review
A tense and disturbing thriller that’s often uncomfortable to watch, but very well-made with two exceptional lead performances. You could regard it as a take on the Red Riding Hood and the Big Bad Wolf, if the Red Riding Hood was more like Arya Stark.
mother! – Film Review
By far, the weirdest thing about this film written and directed by Darren Aronofsky is the notion that someone actually believed it could be turned into a mainstream hit a la Aronofsky’s Black Swan. What put me off watching it in the cinema however wasn’t the polarized reaction and stories of the audience members demanding refunds, but the mention of the dreaded hand-held camera in one of the reviews. I made the right call to avoid nausea at the cinema, but the big screen and darkened isolation from the outside world would undoubtedly have been a better place to fully appreciate the movie’s unique claustrophobic insanity. As opposed to my living room with my Russian neighbours talking in the background.
There’s no point talking about mother! without mentioning what it’s really about, so spoilers ahead.
The Square – Film Review
This Swedish Palme d’Or-winning film is a sprawling satire of the contemporary art world and is a bit like a modern art installation itself: you’re not always sure about the artist’s intent, it may feel baffling, confronting or tedious, but at its best it can leave you with some indelible imagery and food for thought.
