This strange hodge-podge of comedy and thriller from director Paul Feig can’t decide whether it wants to poke light-hearted fun at the recent thrillers like Gone Girl, or actually be the next Gone Girl. But it’s heaps of fun regardless.
One of the best things about my Agatha Christie challenge has been learning all sorts of trivia about the books I’ve loved for many many years. I never realised that Dead Man’s Folly was actually written around a real, specific location, namely Greenway House in South Devon. Once the beloved holiday home of Agatha Christie, the estate is now apparently open to the visitors, and if I’m ever in that part of the UK I’ll be sure to look it up.
Another compulsively readable novel from the author of Big Little Lies. I forgot to take a book with me on our recent weekend getaway to Tasmania, so I had to pick something at the airport fast. As a light holiday read this was perfect (I got it as a buy-one-get-second-halfprice deal with Gillian Flynn’s Sharp Objects, but that one is bound to be less fluffy for sure).
I thought that, rather than acquiring more new music, I should give attention to the neglected albums in my collection that I never had a proper listen to.
An odd little movie about blues and redemption in Tennessee that is, surprisingly, much sweeter than its outrageous and trashy-sounding premise would have you think.
This enjoyable Poirot novel is one of those Christie books that, despite having a good solid murder mystery at its core, is mostly enjoyable for the aspects other than the actual crime investigation. It’s unusually playful and self-referential at times, with Dame Agatha taking the opportunity to poke fun at her most popular creation.
This remake of Let the Right One In, the Swedish film adaptation of John Ajvide Lindqvist’s haunting novel, doesn’t scale the heights of either but is a pretty good vampire movie in its own right.