This horror film with a beautifully simple premise had many things going for it, but its dramatic shortcomings and a few too many contrivances stopped me from loving it as much as many other people seem to.
Spanish flamenco meets R&B; cinematic French pop; sunlit American country.
I’ve had a mixed experience with Alejandro González Iñárritu films; I didn’t care much for Babel, loved Birdman, and thought that, stunning cinematography aside, The Revenant was overrated as hell. This gritty and raw-as-guts 2000 Mexican drama, Iñárritu‘s first feature film, landed in the “loved” basket, despite being a hard watch.
This charming and entertaining romantic comedy is proof that you don’t need to reinvent the wheel or poke fun at the genre tropes; when done well there’s nothing like Happily Ever After to override your inner realist and leave you with a big smile on your face.
There was a lot to like about this flawed but compelling follow-up to The Time Traveler’s Wife, Niffenegger’s phenomenally successful debut which must feel like both a blessing and a curse to its author. In a way, Her Fearful Symmetry feels like a time-travelling real first novel, promising a genuine talent who hasn’t quite figured things out yet. I enjoyed the setting and the atmosphere, the characters and their relationships, the story however is where I thought the book stumbled quite a bit.
In this novel, Poirot goes on a holiday in Egypt to escape dreadful British winter and has a nice relaxing cruise down the Nile, enjoying sunshine, tranquil balmy evenings and the ancient Egyptian temples. At least, that was the idea before he ends up investigating a murder onboard the river ship. Don’t you hate it when your job keeps following you around?