This horror film with a beautifully simple premise had many things going for it, but its dramatic shortcomings and a few too many contrivances stopped me from loving it as much as many other people seem to.
Spanish flamenco meets R&B; cinematic French pop; sunlit American country.
I’ve had a mixed experience with Alejandro González Iñárritu films; I didn’t care much for Babel, loved Birdman, and thought that, stunning cinematography aside, The Revenant was overrated as hell. This gritty and raw-as-guts 2000 Mexican drama, Iñárritu‘s first feature film, landed in the “loved” basket, despite being a hard watch.
This charming and entertaining romantic comedy is proof that you don’t need to reinvent the wheel or poke fun at the genre tropes; when done well there’s nothing like Happily Ever After to override your inner realist and leave you with a big smile on your face.
There was a lot to like about this flawed but compelling follow-up to The Time Traveler’s Wife, Niffenegger’s phenomenally successful debut which must feel like both a blessing and a curse to its author. In a way, Her Fearful Symmetry feels like a time-travelling real first novel, promising a genuine talent who hasn’t quite figured things out yet. I enjoyed the setting and the atmosphere, the characters and their relationships, the story however is where I thought the book stumbled quite a bit.
In this novel, Poirot goes on a holiday in Egypt to escape dreadful British winter and has a nice relaxing cruise down the Nile, enjoying sunshine, tranquil balmy evenings and the ancient Egyptian temples. At least, that was the idea before he ends up investigating a murder onboard the river ship. Don’t you hate it when your job keeps following you around?
“Yet who would have thought the old man to have so much blood in him?”
This Poirot novel was written as Christie’s response to her brother-in-law James, who had complained that her murders were getting too refined and anaemic. You’d hope that James’ craving for a ‘good violent murder’ was satisfied with this locked room murder mystery: its chief victim, a cantankerous wealthy patriarch, is found in a pool of his own blood, his throat cut, after making a noise described by witnesses as “a soul in hell” or “a stuck pig”.