I missed out on this unconventional romantic comedy when it was first released ten years ago, so when I was in a mood for something light last week I thought I’d give it a go. Though it has some issues and its penchant for indie quirk and twee soundtrack are at times mildly grating, in the end it’s a charmer.
I’ve yet to see a Guillermo del Toro film that made me a true believer, but this visually ravishing adult fairytale came closest, and is easily the one I’ve enjoyed the most. At the very least, you gotta admire him for tackling a premise that many would find way too icky with such sincerity.
This charming and entertaining romantic comedy is proof that you don’t need to reinvent the wheel or poke fun at the genre tropes; when done well there’s nothing like Happily Ever After to override your inner realist and leave you with a big smile on your face.
I broke my tradition of never going out on a Monday night during a working week to watch this 1986 David Cronenberg horror film at the Astor Theatre.
There are few things more enjoyable than a big bold old-fashioned melodrama done well, and this new version of an old story with Bradley Cooper and Lady Gaga is melodrama with a whole lot of heart done very very well.
I can’t believe I’ve overlooked this 1993 Jane Campion masterpiece for so long, though on the other hand I doubt I’d have appreciated it as much as a teenager; its bleak yet sensuous atmosphere, literary vibe and complicated relationships probably resonate better with my older self.
Well that’s another 80s Movie I’ve Never Seen off my list. Watching popular films from decades ago for the first time can be a hit-and-miss experience (sorry Flashdance but I can’t see what everyone saw in you), but Dirty Dancing I thought had undeniable charm and appeal that goes beyond mere nostalgia and hype.
First great film I’ve seen in 2018, Call Me By Your Name is a moving coming-of-age tale, a beautiful romance and a love letter to the warm, sensuous, sun-kissed charms of Northern Italy. I’m sure I say this every time, but my heart skips a beat whenever I see lush summery European landscape onscreen, and in Luca Guadagnino’s film it’s a perfect backdrop for the gently unfolding, finely observed, slow-burn story of a vibrant, life-changing first love that cannot last.
I watched this film once 20 years ago, after it swept the 1997 Academy Awards and famously became the object of hatred for Elaine from Seinfeld:
I didn’t share Elaine’s visceral loathing for the movie, but I remember feeling rather underwhelmed and wondering why on earth this film was praised so much. Then recently I found a DVD of The English Patient in Mum’s collection (she’s one of the many people who loved the movie), and thought I’d give it a second chance.
The Lobster made me think of Ray Bradbury’s sci-fi short stories I read as a teenager, where some “what if” premise would be taken to an absurd extreme, except that this movie does it with an extra helping of bonkers. If you’re a fan of out-there scenarios, the summary should grab you instantly.