Our trip to the cinema to see this French film with the incomparable Isabelle Huppert started off with a bit of drama: as the room went dark and the opening credits rolled in, Mum and I realised we were in a wrong cinema and instead were watching a British war film, which explained the trailer for Dunkirk. Oops. We hurried across into the right theatre and luckily our session hasn’t started yet.
Another novel I’ve read for our book club at work, this time a follow-up to Hannah Kent’s best-selling debut, Burial Rites, which I didn’t love anywhere as much as others did and found rather over-praised. Maybe it was the lowered expectations, but I ended up enjoying this one much better. Kent seems to have a penchant for the grim northern settings and harsh landscapes; Burial Rites was set in an isolated Icelandic community and this book moves the action just a bit further south, to a remote valley in the 1820s Ireland. The subject matter however is entirely different: The Good People concerns itself with the Irish folklore and superstitions, particularly the fairies, or the Good People, who according to the traditional beliefs belong to neither God nor Devil but exist on their own, mischievous and unpredictable terms.
It’s been forever since I read Bram Stoker’s classic gothic horror novel, but I can’t really remember Dracula giving the female heroine her sexual awakening. Nevermind, I do have a soft spot for the Beauty and the Beast trope and Gary Oldman as the monstrous yet tragic Dracula is captivating and sensual… well at least when he’s in his young human Gary Oldman form with the fabulous long hair. Not so much when he’s hanging from a ceiling as a hideous human-sized bat.
My only regret with this film is that I already knew the big reveal beforehand from watching a spoiler-filled review. I’ve no idea why I did this to myself, I can’t even blame the reviewer who was thoughtful enough to include a spoiler warning – but I just kept on watching. The movie was still hugely enjoyable and suspenseful, and had other twists and surprises up its sleeve, I just wish I came into it knowing as little as possible.
Yes yes I know I’m three years late to the party with this one. Missed it at the cinemas, was going to watch it on Netflix at my Mum’s for ages before it was taken off, so I finally rented it at my local DVD place. In a nutshell, I thought it was the strongest Marvel movie I’ve seen by a long margin and the first one I could say I loved since the first Iron Man. If you take out all the superheroing stuff, at the heart it’s a gripping political thriller/1970s-esque spy movie tackling themes of national security vs personal freedom, a debate which is rather timely in the world we live in now.
A very effective and disturbing exercise in slowly escalating dread, The Witch is the sort of movie where you sit on the edge expecting something really bad to happen any minute now. It doesn’t have many big jump scares but the claustrophobic setting, moody and muted visuals (the film is shot in natural light, with only candles providing the artificial one), spooky music and the unsettling implications of horrible things happening offscreen all work together to create a superb atmosphere of unease.
I came across this one thanks to the most excellent History Buffs YouTube series, a show dedicated to reviewing historical movies run by a British guy called Nick Hodges. Nick is not a fan of Mel Gibson movies to put it mildly and he panned Apocalypto mercilessly for its many gross historical inaccuracies and the overall misrepresentation of the Mayan culture, with Gibson rolling his Mayans and his Aztecs into one. While his criticisms seemed legitimate, I’m way more forgiving towards the movies fudging historical facts for drama, and the film looked visually interesting at the very least. Besides, who else out there is making movies about a pre-Columbian civilisation shot exclusively in the Mayan dialect? I’ll take my Mayan movies where I can get them.
Hans Zimmer’s name might not be instantly recognisable among the general public, but most people would know the popular films he had scored: Gladiator, The Lion King, Inception, Christopher Nolan’s Batman trilogy, The Rock, and many more. An impressive body of work to say the least. I have my sister and her husband to thank for letting me know about this concert: they’re big fans of Zimmer’s work and were blown away when they saw his show in Prague last year. I could only afford cheap tickets at the very top of the arena, which unfortunately blocked about a third of the orchestra from view, but in the end it didn’t matter so much.