Our trip to the cinema to see this French film with the incomparable Isabelle Huppert started off with a bit of drama: as the room went dark and the opening credits rolled in, Mum and I realised we were in a wrong cinema and instead were watching a British war film, which explained the trailer for Dunkirk. Oops. We hurried across into the right theatre and luckily our session hasn’t started yet.
I caught what was probably one of the last screenings of this film in Melbourne, from the far left seat in the first row of a tiny movie theatre. Which usually would have been a major source of irritation – I hate sitting too close to the screen at the movies – but all of that went out of the window as soon as it started. With less than half a month left to 2016, I feel pretty safe in saying it was my favourite film and best lead performance I’ve seen all year. While elegantly shot and full of oh-so-tasteful-and-French interiors, it’s very much afilm, provocative and full-blooded.
Michael Haneke’s Hidden was one of those strange unsettling films with one truly shocking scene that lingers in your mind for a very long time, so I was curious to see more of his stuff. The Piano Teacher certainly ticks the controversial and shocking boxes, but I’m afraid I was less than impressed this time around.