Watched the latest unsettling sci-fi mind-bender from Alex Garland, the writer/director of Ex Machina, that got dumped on Netflix for being “too complicated” for the wider audience. I’m sorry that I never got a chance to see it on the big screen, but good on the creative team for refusing to dumb it down.
A tense and disturbing thriller that’s often uncomfortable to watch, but very well-made with two exceptional lead performances. You could regard it as a take on the Red Riding Hood and the Big Bad Wolf, if the Red Riding Hood was more like Arya Stark.
I got knocked over by a nasty cold last week, and I had two things to keep away the tedium of recovering in bed: my kitten who was ecstatic to have his human available all day for cuddles, and this book.
Back in 2003 I like many others got swept up in the Da Vinci Code hype, and while it ran out of steam near the end I had to admit it was one of the most insanely addictive mystery thrillers I’ve ever read. Brown’s writing might be clunky and his characters flat and forgettable, but you don’t read his books for graceful prose and deep psychological insights, you read them for the trashy fast-paced plot and twists that make you turn page after page. Does Deception Point deliver on this front? Mostly.
I’m not the biggest anime fan in the world, but if you have any appreciation for science fiction, visual artistry and films that create a unique atmosphere, it’s impossible not to be impressed by this 1995 cyber-tech thriller.
Written and directed by M. Night Shyamalan back in the dark days when he was making one stinker after another, The Happening has too many dull stretches to be a proper good bad movie. Still, I find Shyamalan’s bad movies fascinating in the same way I find Star Wars prequels and films like Jupiter Ascending weirdly fascinating. Say what you want about them, but they’re not your generic bad movies and they bear the individual stamp of their creators.
The DVD I rented offered me a choice of the theatrical cut, and the alternative version with the original ending that was scrapped after it was unfavourably received at the test screenings. While I really enjoyed the movie this story of two radically different endings is probably its most interesting aspect. The DVD menu made me feel like a character in a fairytale: shall I take the road on the left, or the road on the right? With the magic of the remote, I watched both endings, and once again marvelled at Hollywood’s willingness to ruin a perfectly fine film.
Spoilers for the endings ahead.
A mind-bending Spanish psychological thriller with Penelope Cruz, which later was remade as Vanilla Sky, an ill-received American version with Tom Cruise and, bizarrely, Penelope Cruz again. I’ve watched this in a rather groggy state of mind after a poor night’s sleep, and the movie’s twists and turns definitely perked up my brain by the end of it all.
