I continued my recent Danish streak with this historical film about adultery and Enlightenment in the 18th century Denmark, which succeeds both as a sweeping romance and a tense political drama.
This gripping crime drama (winner of the Best Foreign Language Film at the 2010 Academy Awards) is the first film from Argentina I’ve seen. I definitely would like to watch more.
I’ve been watching bleak and moody Danish noir lately, so I thought I’d change it up and watch some bleak and moody Norwegian noir instead, namely this 1997 thriller with Stellan Skarsgard.
A lovely and sensitive Spanish film about an orphaned six-year-old girl who has to cope with her mother’s death and adjusting to a new life. Not counting visits to the Astor Theatre, I haven’t been to the cinema in (yikes) over four months, so this was a nice way to break the drought.
I’ve had something like a Danish withdrawal after binge-watching my way through three seasons of Borgen, the most excellent Danish political TV series. I got rather used to the sound of Danish vowels and occasional tak coming from my TV, so I watched this 2006 Academy Award nominee for Best Foreign Language Film.
The royal palace of Versailles and its doomed queen Marie Antoinette get a new perspective in this French film, which covers the last fraught days of the monarchy through the eyes of a young woman serving as the queen’s official reader. While ultimately somewhat slight, the movie’s eavesdropping-on-history approach is compelling, and gains a lot from being shot at the real location.
This Swedish Palme d’Or-winning film is a sprawling satire of the contemporary art world and is a bit like a modern art installation itself: you’re not always sure about the artist’s intent, it may feel baffling, confronting or tedious, but at its best it can leave you with some indelible imagery and food for thought.