Another year, another fantastic December gig at the Forum Theatre. As a bonus, Melbourne was graced by a stunning sunset that cast the city in an otherworldly light and made everyone on the street reach for their cameras.
I didn’t see this eccentric, pitch-black, savagely funny satire about the death of the Soviet dictator when it was out in the cinemas, but I’m glad I had a chance to watch it at home. Or rather my Mum’s home, since I don’t do streaming.
A raw, grimy but lyrical British drama about the pains of adolescence and life at the margins, with a fantastic supporting turn by Michael Fassbender earlier in his career.
The scary gentleman is progressing nicely and I’m having fun working with leather as my main material. The best thing about leather is that you don’t have to carefully iron every. single. piece. before sticking it on. I still have no clue how I’m going to make the fire effect, but, as Scarlett O’Hara used to say, I’ll think about that tomorrow.
I mean to check out this festival every year and usually end up missing it for whatever reasons, mostly procrastination. This year, I finally made it, catching two films over two weekends, something old and something new.
It’s nice to be wrong about a movie sometimes. Though I was incredibly sceptical about this biopic of Queen and their extraordinary frontman Freddie Mercury, it turned out to be one of the most purely enjoyable and entertaining cinema experiences I’ve had in a while.
Another of my favourite standalone Christie novels, this book also came with the author’s foreword calling it one of her own special favourites and a joy to write (according to Dame Agatha the usual ratio is one book that’s real pleasure to five that are hard work). It also boasts one of the most shocking endings Christie’s ever done, which is saying a lot. When you read a detective novel you’re supposed to suspect everyone, but when Christie said that everyone is a potential murderer she really meant it.