I’ll always have a special soft spot for this book since it was the first Agatha Christie novel I’ve ever read back in my early teens. While I probably wouldn’t recommend it to someone else as a first taste of Christie, it’s a fun adventure romp that holds up surprisingly well on a re-read and is one of Christie’s better thrillers. Also, the current coronavirus situation and its restrictions have a way of colouring things I watch and read; reading about someone embarking on an adventure in a far-off country (on a cruise ship, no less!) left me with a wistful pang that otherwise wouldn’t be there.
Sumptuous vintage-flavoured loveliness; no sophomore slump from the queen of experimental pop.
I dug out my old art folder from under the bed while looking for materials for my next artwork, and got nostalgic looking through my old high school and university art and design projects. One of my favourites was this set of fantasy-inspired playing cards, done with acrylic paints and ink pen when I was in my final high school year. I must have run out of time, because it’s missing spades.
It’s a shame that I’ve done barely any painting or drawing in years; I used to love it but in between a full-time job and other creative interests it’s simply fallen by the wayside. Well, never say never again I guess.
I don’t often buy books I’ve never heard of by the unfamiliar authors purely on a whim, let alone for a full price, but this novel by a Korean-American writer, a spontaneous pick while milling around a bookstore, totally justified the gamble (also, I’ve noticed I’m much more likely to buy anything when it’s in red). It’s a sign of a great book when, after spending time with its characters for over 600 pages, you’re sad to say goodbye as you turn over the last page.
I’m making this one for my little niece, who loves Toy Story (my sister is also a big Disney/Pixar fan, so everybody’s happy). I found an existing Toy Story art that’s absolutely perfect for my medium, but I tweaked the colour scheme; less artsy, more kid-friendly. I’ve already done away with some smaller details (sorry Bo Peep!), but I suspect I’ll have to simplify this a lot more along the way, or do the finer details with paper rather than fabric.
Now I hope I can round up all the materials before the next wave of coronavirus measures closes down everything. A time-consuming indoor hobby would be really handy now that I have six weeks off work in the next three months, and a strong possibility of the Australia lockdown happening.
I went to the Astor Theatre with a friend for a Robert Eggers double feature: last year’s The Lighthouse and his debut film, The Witch, that I was happy to re-watch on the big screen. T’was a fun night of creepy folk tales and period horror. Now that the coronavirus is shutting theatres down, it’s strange to think that this might be my last cinema outing for a while, and that the last two films I’ve watched are about people going insane and killing each other in confined spaces.