science fiction

The Left Hand of Darkness by Ursula K. Le Guin – Book Review

I read this remarkable landmark sci-fi novel all over again immediately after I finished it, which is exceedingly rare for me. I simply wasn’t satisfied with my first reading, which happened in short bursts separated by long periods of time; this is a kind of richly detailed and imaginative book that’s best appreciated by immersing yourself into it for a while.

Science fiction is a perfect medium for exploring “what if” scenarios, and the thought experiment in The Left Hand of Darkness goes like this: what would a human society look like if people had no fixed gender, and male/female dualism didn’t exist?

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Alien: Resurrection – Film Review

I’ve always had a soft spot for this black sheep of the Alien franchise, probably because I can never hate a movie that’s so utterly bizarre. Since I’ve re-watched Alien 3 recently I thought I might go back and bask again in its weird, awkward, misshapen glory.

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Alien 3 – Film Review

My usual stance on this movie is living in Denialville; lalalalala not listening, Ripley, Newt and Hicks made it back to Earth and lived happily ever after with Jonesy the cat. For whatever reason, recently I felt an urge to revisit this dour and divisive entry in the Alien franchise, maybe because watching Alien: Covenant gave me a new appreciation for the installments that at least attempted to do something different.

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Valerian and the City of a Thousand Planets – Film Review

I have a big soft spot for all things wacky and bizarre, and I enjoyed this colourful and wildly imaginative space fantasy from Luc Besson much more than I thought I would, after the so-so reviews. But if there was ever a movie killed by the horrendous casting choices, Valerian is surely it.

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Annihilation – Film Review

Watched the latest unsettling sci-fi mind-bender from Alex Garland, the writer/director of Ex Machina, that got dumped on Netflix for being “too complicated” for the wider audience. I’m sorry that I never got a chance to see it on the big screen, but good on the creative team for refusing to dumb it down.

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