In my mind, the original Blade Runner was a cinematic lightning-in-a-bottle that emphatically did not call for a sequel, so when Blade Runner 2049 was announced I felt rather sceptical about the idea. I can’t say I’ve been entirely converted, but I can definitely say that Denis Villeneuve’s film is worth watching on the big screen for the spellbinding visuals alone, and if Roger Deakins doesn’t win the Best Cinematography Oscar for his work here they can just disband the whole Academy Award thing.
Hi I’m a joyless McKilljoy who thought that La La Land was just ok.
This movie was a nice surprise, a detective buddy comedy that feels fresh mostly because of the stellar work by its two stars (Russell Crowe and Ryan Gosling), who are not typically associated with the comedy but turn out to have a major, previously untapped talent for it. Throw in a sleazy, noirish 1970s Los Angeles setting, slapstick, sarcasm, raunchy dialogue, darkly humorous and surreal touches, and the results are highly entertaining.
Despite its bland boring title and a subject matter that doesn’t interest me in the least, this was probably the funniest movie about how greed, stupidity and self-interest ruin the world and nobody can do a bloody thing about it. It’s amazing how much I enjoyed it considering that half of the time I had no idea what on earth the characters were going on about. I have two siblings in finance but when a conversation turns to banking or economy it’s like my brain gets glazed over and all I can hear is, blah blah blah equity blah blah blah blah credit blah blah loans. The film makers were obviously perfectly aware of how dull banking is to an average person, and they do try to explain the jargon in very amusing ways (including Margot Robbie in a bathtub with a glass of bubbly), but while I got the general gist of things most of the nitty-gritty details sailed right over my head. What ultimately kept me interested was the film’s energy and humour and the eccentric cast of characters played by an impressive ensemble.