This stand-alone mystery is one of Christie’s oddest crime novels, which is probably why it’s one of her books that stuck in my memory the most. I don’t necessarily think it’s an example of Christie at her best; the non-linear plot meanders somewhat and the resolution is far too abrupt. But it’s certainly one of her most interesting books, with some unusual elements that I can’t remember seeing anywhere else in Christie’s oeuvre.
I didn’t get to see Roger Waters when he toured Melbourne last year, something I deeply regretted after my Mum showed me the amazing videos she took at the show. Watching this concert film on a big screen at the cinema was the next best thing I guess.
I had an absolute blast at the last Hans Zimmer concert a couple of years ago, so I jumped at the chance to experience his film score arena extravaganza once again.
A film about Tom Hardy driving a car late at night and talking to people on the phone. Yep, that’s literally what the movie is about, and it kept me engrossed from start to finish.
Balloons, confetti, inflatable pink robot and psychedelic light show aren’t things you normally associate with the good old respectable Hamer Hall, but for a couple of hours it got transformed into a kids’ party for adults and fun was had by all.
I missed out on this unconventional romantic comedy when it was first released ten years ago, so when I was in a mood for something light last week I thought I’d give it a go. Though it has some issues and its penchant for indie quirk and twee soundtrack are at times mildly grating, in the end it’s a charmer.
I’ve already watched the mostly excellent HBO adaptation with Amy Adams before reading Gillian Flynn’s debut novel, but having read her other books I think I’d have had a fair idea of what to expect anyway. As her musical namesake Gillian Welch sings, You know some girls are bright as the morning / And some have a dark turn of mind.