“Without tradition, art is a flock of sheep without a shepherd. Without innovation, it is a corpse.”
– Winston Churchill
– Winston Churchill
This gripping crime drama (winner of the Best Foreign Language Film at the 2010 Academy Awards) is the first film from Argentina I’ve seen. I definitely would like to watch more.
This novel, the world’s best-selling mystery with over 100 million copies, has recently been voted readers’ favourite Agatha Christie novel in a global poll. Though I’d probably struggle to name my own personal favourite Christie novel, I’m not inclined to argue with this honour. The book is a masterpiece of crime fiction whose power hasn’t diminished with years, and it’s said that Christie herself regarded it as her highest achievement.
It’s a testament to the Queen of Crime’s versatility that her best-loved novel doesn’t involve her best-loved fictional sleuths, Miss Marple and Hercule Poirot. Instead the story focuses solely on a group of ten strangers who all get separate invitations to Soldier Island, an isolated spot off the coast in Devon. Once there and secretly puzzled by each other’s presence, their cosy dinner on the first night is interrupted in a startling manner by a recorded message accusing each one of them of murder, and soon after one of the guests drops dead. Meanwhile their mysterious host, Mr U.N. Owen, is nowhere to be seen. The next morning they discover yet another dead body, and find themselves cut off from the mainland.
I’ve been watching bleak and moody Danish noir lately, so I thought I’d change it up and watch some bleak and moody Norwegian noir instead, namely this 1997 thriller with Stellan Skarsgard.
I finally made time to catch Spike Lee’s latest. The trailers have been selling it as something like a buddy cop comedy based on an incredible true story, but while the movie is very entertaining and imbued with a great dose of humour, Lee’s ambition goes much further than that.
This Miss Marple novel has a couple too many convenient coincidences for my liking, but remains one of the most fun Christie mysteries to re-visit.
It surely has one of her best openings. In a small village of Chipping Cleghorn, the locals settle comfortably into reading their favourite local Gazette when they spot a most peculiar notice announcing a murder that’s about to take place that day at 6.30pm, at a place called Little Paddocks. Nobody takes it seriously and all assume that it refers to some sort of murder mystery evening, but all agree that they should definitely show up and find out. The announcement comes as a total surprise to Miss Letitia Blacklock, the owner of Little Paddocks, but being a practical woman she’s resigned to the mob of curious villagers showing up at her doorstep, and prepares drinks and suchlike. Things turn from frivolous to serious when the evening ends with gunshots and death of a stranger.
Our latest book club reading was this extraordinary, beautifully written memoir about growing up in rural Idaho in a family of Mormon survivalists.
One frequent comment in the discussions I had was that to many Educated felt like reading fiction rather than a memoir. This is in no way a swipe at its credibility, but rather a compliment to the quality of Westover’s writing, which is a few notches above your typical memoir or autobiography. The impression could also be partly due to the voice of the narrator, which is rather distanced, matter-of-fact and remarkably perceptive. Perhaps it comes from looking back at a life that feels like a different life altogether. In many ways, this memoir is a book about memory and its fragility, and trying to piece together a portrait of the family from the often contradictory recollections.