This is usually the time of the year when I trawl through the Best Albums lists for the previous year; as it turns out some of my big favourites made pretty damn great records.
I’m not sure why I seem to be onboard the horror movie train right now, but I’m enjoying the ride! This 1982 sci-fi horror classic from director John Carpenter takes the old “scariest thing is what you don’t see” wisdom and rubs its face in blood and guts.
As a massive Agatha Christie fan I was always going to watch this acclaimed BBC adaptation of her best and bleakest novel, and now I finally got around to it. I was pleased to see that while it threw in some extra gore, sex, social issues and swearing for the modern audiences, it remained satisfyingly loyal to the spirit of the book.
Miss Marple goes on a holiday in the sunny Caribbean and finds herself mildly discontented that nothing ever happens in the tropical paradise… until she suspects a murder.
After Don’t Look Now, I was clearly in the mood for more 1970s horror movies with twist endings starring Donald Sutherland. Though this one is more of a straightforward sci-fi, with a lot more alien goo and Leonard Nimoy.
While the world of humans was going through the greatest global upheaval since World War II, nothing much changed in Charlie’s little world. Except that, thanks to the COVID-19 restrictions, he got to see a lot more of his personal food dispenser/masseuse/entertainer.
A haunting adaptation of Daphne du Maurier’s novella, Don’t Look Now only turns into true chilling horror during its shocking conclusion, but that’s not to diminish the film’s ability to get under your skin (and make Venice, of all places, feel truly creepy).
This mystery, technically one of Christie’s Miss Marple novels, barely scrapes into the Marple series, since the much-loved elderly sleuth only makes an appearance three-quarters into the book and remains little more than a cameo. I’d go as far as say that the novel didn’t really need her and is strong enough to stand on its own.
Another musical trio of Haim sisters (from Israel rather than Los Angeles); a concept album about the goddess of climate crisis; brilliant electronic re-invention.
