I kicked off the Easter long weekend with this lively and funky show by the husband-wife duo from Mali. I love our homegrown talent but it’s great to finally see an international act after nearly two years!
I had a very lovely evening at the Melbourne Recital Centre, listening to one of my favourite records from last year played live with a 17-piece chamber orchestra.
Another Australian cinema classic I always meant to watch for the last twenty years, Lantana is a moody and incisive examination of trust and fractured relationships, finely interweaving complex character drama with a police investigation.
An early thriller that turned out to be much more enjoyable than I initially expected. It’s a silly romp with a far-fetched plot that requires a healthy suspension of disbelief, but you get a sense that it was written with tongue firmly in cheek.
The new noirish Batman reboot from Matt Reeves is one of those frustrating instances when I can’t decide if the movie’s strengths win over its major flaws, or vice versa. There’s a lot to admire about it, but it’s also overstuffed and punishingly long.
Despite the promising start, 2021 turned out to be pretty much a lockdown-ridden sequel to 2020. But once again, my little fluffball remained blissfully ignorant of the COVID-19 crisis and just enjoyed his chance to pester me while I was working from home.
A Friday night show at the beautiful Forum Theatre, featuring one of our finest Australian singers-songwriters. I missed that faux night sky and the Greco-Roman sculptures!
This camp classic-slash-disaster would have been a pretty forgettable movie if not for Faye Dunaway‘s unhinged, all-guns-blazing performance that somehow transcends the conventional ideas of “good” or “bad” acting. It is truly something else.