Despite my usual cynicism about sequels and nostalgia, I thoroughly enjoyed this exhilarating and refreshingly old-fashioned blockbuster that improves on the original and, despite all odds, doesn’t feel like a shameless cash grab.
Highly derivative but decent sci-fi with the always-watchable Tom Cruise, Oblivion delivers on visuals if not on originality or characters.
More sci-fi horror in Melbourne Lockdown Part 3! I watched this decently entertaining 2000 cult classic that launched Vin Diesel’s career.
This action comedy from Simon Pegg and director Edgar Wright is a little too long (seriously, which comedy from the last few years isn’t overlong?), but the enormously entertaining finale and the winning buddy chemistry between Pegg and Nick Frost more than make up for its flaws.
A stylish and eccentric thriller that feels thoroughly French despite the English-speaking cast and the New York setting, with Natalie Portman in what surely must be one of the most memorable child performances of all time.
I’ve always had a soft spot for this black sheep of the Alien franchise, probably because I can never hate a movie that’s so utterly bizarre. Since I’ve re-watched Alien 3 recently I thought I might go back and bask again in its weird, awkward, misshapen glory.
Yeah yeah I’m a couple of years behind on this, but I finally caught up with the world’s favourite foul-mouthed, snarky, fourth-wall-breaking superhero.
After watching (and loving) the anime film, I thought I’d check out this recent Hollywood remake with Scarlett Johansson. It was pretty much what I had expected: watchable with a few arresting visual moments and a decent lead performance, but all in all a dumbed down and hollow take on the original.