I was in a mood for something light and fluffy on a Friday night, so I watched another cult classic I missed out on.
I’ve been watching a lot of crime drama/comedy recently for some reason. In addition to Hot Fuzz and Leon: The Professional, plus re-visiting Godfather I & II and all five seasons of Breaking Bad, I’ve now watched Martin McDonagh’s 2008 black comedy caper. And yes it made me want to go to Bruges.
Somehow I spent the last fifteen years without ever once seeing this high school comedy classic, while still knowing its catchphrases (Stop trying to make Fetch happen). Watching it for the first time now, it still feels fresh and as deceptively effortless as a perfect pop song.
This action comedy from Simon Pegg and director Edgar Wright is a little too long (seriously, which comedy from the last few years isn’t overlong?), but the enormously entertaining finale and the winning buddy chemistry between Pegg and Nick Frost more than make up for its flaws.
This Will Ferrell comedy has no business running for over two hours, but it’s the kind of super-silly light fun that’s most welcome in these tense times. It also does a lot to fill the Eurovision-shaped hole for this Eurovision fan.
I thought I was going to miss out on this movie, but thanks to its recent historical success at the Oscars, South Korean director Bong Joon-ho’s film got a second life at the cinemas. It’s a remarkable and wildly entertaining ride that deserves to be seen on a big screen, if only for the reactions of the crowd gasping out loud at the movie’s twists and turns.
I missed out on this unconventional romantic comedy when it was first released ten years ago, so when I was in a mood for something light last week I thought I’d give it a go. Though it has some issues and its penchant for indie quirk and twee soundtrack are at times mildly grating, in the end it’s a charmer.
This strange hodge-podge of comedy and thriller from director Paul Feig can’t decide whether it wants to poke light-hearted fun at the recent thrillers like Gone Girl, or actually be the next Gone Girl. But it’s heaps of fun regardless.
This charming and entertaining romantic comedy is proof that you don’t need to reinvent the wheel or poke fun at the genre tropes; when done well there’s nothing like Happily Ever After to override your inner realist and leave you with a big smile on your face.