My first reaction to the title of this movie was to wonder if it was something in the spirit of Pride and Prejudice and Zombies, maybe a horror parody of Henry James’ The Portrait of a Lady? But no, instead this exquisite French film is a sumptuous and sensual drama about an impossible love between two women in 18th-century Brittany.
I appreciated this new take on Louisa May Alcott’s beloved semi-autobiographical novel more than I loved it, which is not to say that there weren’t things I unabashedly loved.
If you haven’t read the book or seen any previous adaptations, some spoilers to follow.
I thought I’d give this onscreen adaptation of Bret Easton Ellis’ controversial novel a rewatch after many years. It’s not a perfect movie, but I was surprised at how savagely funny this satire of the 80s consumerism and yuppie phenomenon really is, something that had completely gone over my head when I first watched it.
This divorce drama from writer/director Noah Baumbach, something of a modern take on Kramer vs. Kramer, may not re-invent the wheel but offers an honest, heartfelt, sad and funny look at a failed relationship and its painful aftermath. Moral of the story: if you want an amicable divorce, stay the hell away from the lawyers.
This biopic about Judy Garland’s final 1968 concert run in London has very little to it outside of masterful performance from Renée Zellweger, but what a performance.
A somewhat overlong but still fabulously entertaining caper movie about the lesser-known effects of the Global Financial Crisis, with a career-best performance from Jennifer Lopez.
I enjoyed this fun and inventive German thriller from the late 90s, but I do wish I had seen it at the time of its release.