An engrossing Oscar-winning German thriller about spying, fear and oppression in the East Germany, in the fittingly Orwellian year of 1984.
movie
Center Stage – Film Review
I haven’t been watching many films lately, with the cinemas all shut down and my favourite DVD rentals dying off even earlier, but now I’m finally streaming! This teen dance drama, celebrating its 20th anniversary this May, wasn’t an obvious choice for the first movie to watch on Netflix, but it proved to be an excellent Friday night pick.
The Talented Mr. Ripley – Film Review
I’ve been rewatching some of my old favourites lately, including this underappreciated 1999 thriller written and directed by Anthony Minghella. Though, judging by the amount of online articles that seem to be popping up to celebrate the film’s 20th anniversary, maybe it’s not so underappreciated after all.
Downfall – Film Review
I finally got around to watching this dark and gripping 2004 German drama about the last days of Hitler and the Third Reich. Realistic, hard-hitting, impeccably crafted, meticulously researched and detailed, Downfall is easily one of the best historical war films I’ve seen.
The Lighthouse – Film Review
I went to the Astor Theatre with a friend for a Robert Eggers double feature: last year’s The Lighthouse and his debut film, The Witch, that I was happy to re-watch on the big screen. T’was a fun night of creepy folk tales and period horror. Now that the coronavirus is shutting theatres down, it’s strange to think that this might be my last cinema outing for a while, and that the last two films I’ve watched are about people going insane and killing each other in confined spaces.
1917 – Film Review
I’m slowly catching up on the acclaimed 2019 movies, most recently this World War I drama from the director Sam Mendes. I always have to overcome a barrier of reluctance with war movies set in the modern era, but I’m glad I managed to watch 1917 on the big screen (and in the plush comfort of Village Gold Class too!)
Parasite – Film Review
I thought I was going to miss out on this movie, but thanks to its recent historical success at the Oscars, South Korean director Bong Joon-ho’s film got a second life at the cinemas. It’s a remarkable and wildly entertaining ride that deserves to be seen on a big screen, if only for the reactions of the crowd gasping out loud at the movie’s twists and turns.
