This classic Poirot murder mystery always hovers near the top whenever a discussion of Christie’s greatest novels arises, rightly so. Along with a handful of later books, it made her name and displayed her particular genius for a simple yet daring concept, and an ending that yanks the carpet from under the unsuspecting reader’s feet.
Christie dedication at the beginning of the book (to her older sister, nicknamed Punkie) playfully refers to it as orthodox detective story, murder, inquest, and suspicion falling on everyone in turn! True enough, until its startling conclusion the novel runs as a straightforward and seemingly conventional murder mystery, taking place in a small village of King’s Abbot.
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Though Christie wrote a great many standalone crime novels, Endless Night feels like a true departure, different to everything else she wrote before or since. It’s not a classic detective story with classic detective tropes, there is barely any criminal investigation and the crime itself happens almost three-quarters into the story. Back when I first read it as a teenager my reaction was ambivalent, but even then this eerie novel imprinted on my brain as much as the haunting passage from William Blake’s poem it takes its name from. Revisiting it now has cemented Endless Night as one of my Christie favourites.
Another of my favourite standalone Christie novels, this book also came with the author’s foreword calling it one of her own special favourites and a joy to write (according to Dame Agatha the usual ratio is one book that’s real pleasure to five that are hard work). It also boasts one of the most shocking endings Christie’s ever done, which is saying a lot. When you read a detective novel you’re supposed to suspect everyone, but when Christie said that everyone is a potential murderer she really meant it.
This novel, the world’s best-selling mystery with over 100 million copies, has recently been voted readers’ favourite Agatha Christie novel in a global poll. Though I’d probably struggle to name my own personal favourite Christie novel, I’m not inclined to argue with this honour. The book is a masterpiece of crime fiction whose power hasn’t diminished with years, and it’s said that Christie herself regarded it as her highest achievement.
I’ve been watching bleak and moody Danish noir lately, so I thought I’d change it up and watch some bleak and moody Norwegian noir instead, namely this 1997 thriller with Stellan Skarsgard.
I’m not all that familiar with Hitchcock’s movies, even though his adaptation of Rebecca is one of my favourite films of all time, so I thought I’d watch this 1954 classic.
Now that I’m officially doing a Christie challenge I suspect I’m going to give preference to the novels that stuck in my head the most, and leave the least favourite or poorly remembered ones for last. This Poirot mystery is definitely up there with the best.