This stand-alone mystery is one of Christie’s oddest crime novels, which is probably why it’s one of her books that stuck in my memory the most. I don’t necessarily think it’s an example of Christie at her best; the non-linear plot meanders somewhat and the resolution is far too abrupt. But it’s certainly one of her most interesting books, with some unusual elements that I can’t remember seeing anywhere else in Christie’s oeuvre.
One of the best things about my Agatha Christie challenge has been learning all sorts of trivia about the books I’ve loved for many many years. I never realised that Dead Man’s Folly was actually written around a real, specific location, namely Greenway House in South Devon. Once the beloved holiday home of Agatha Christie, the estate is now apparently open to the visitors, and if I’m ever in that part of the UK I’ll be sure to look it up.
Another compulsively readable novel from the author of Big Little Lies. I forgot to take a book with me on our recent weekend getaway to Tasmania, so I had to pick something at the airport fast. As a light holiday read this was perfect (I got it as a buy-one-get-second-halfprice deal with Gillian Flynn’s Sharp Objects, but that one is bound to be less fluffy for sure).
This enjoyable Poirot novel is one of those Christie books that, despite having a good solid murder mystery at its core, is mostly enjoyable for the aspects other than the actual crime investigation. It’s unusually playful and self-referential at times, with Dame Agatha taking the opportunity to poke fun at her most popular creation.
I could describe this initially very promising book club read as, well, a fire: it starts off with an explosive bang, burns bright and strong for a while, before slowly dying out. It’s by no means a disaster and I enjoyed many aspects of the novel, but perhaps it simply spread itself too thin, with too many characters, perspectives and story threads competing for space.
During her prolific career, Agatha Christie penned a few spy thrillers, or at least novels with strong elements of international intrigue and espionage, which for me were never on the same level with her best work (I keep putting off re-reading any of the Tommy and Tuppence novels, easily my least favourite Christie series). This book is not a fully fledged espionage novel, more like a strange hybrid of spy thriller and boarding school murder mystery, with Hercule Poirot cameo thrown in the last third for reasons that, one suspects, have nothing to do with story needs. Though flawed and uneven, it’s still quite enjoyable.
Memory is a funny thing; I could remember the setting, the victim and the narrator of this Poirot mystery, but as it turned out my memory of the killer’s identity was completely off. I pinned the deed on the wrong person the whole time I was re-reading the book and naturally, the ending had me gobsmacked.