“Good title that, by the way. Lord Edgware Dies. Look well on a bookstall.” This Poirot novel may not be one of my absolute favourites, but you can tell that Christie had a lot of fun with it, including some self-referential winking. Though I’m not sure if Lord Edgware Dies is necessarily superior to the book’s alternative title, Thirteen at Dinner.
I’ll always have a special soft spot for this book since it was the first Agatha Christie novel I’ve ever read back in my early teens. While I probably wouldn’t recommend it to someone else as a first taste of Christie, it’s a fun adventure romp that holds up surprisingly well on a re-read and is one of Christie’s better thrillers. Also, the current coronavirus situation and its restrictions have a way of colouring things I watch and read; reading about someone embarking on an adventure in a far-off country (on a cruise ship, no less!) left me with a wistful pang that otherwise wouldn’t be there.
One of Christie’s most beloved and famous novels, Murder on the Orient Express is top-tier Dame Agatha, so effortlessly readable I finished most of it while taking a very long bath. It’s also something of a favourite for big-screen adaptation, as evidenced by the recent star-studded version with Kenneth Branagh as Poirot, though I haven’t seen either that or the 1974 adaptation.
This novel marks the debut of Miss Marple, Christie’s other beloved fictional detective, a gentle and harmless-looking old lady with a keen interest in human nature and a remarkably clear view of its dark side. I couldn’t say if it’s the best Miss Marple whodunit, but it ranks as my personal favourite for being so enjoyable to re-visit. I lost count of how many times I picked up my old tattered copy of The Murder at the Vicarage (now replaced with a more respectable one) for a quick and easy in-between comfort re-read.
Picking this Poirot novel as my next Christie re-read was a purely strategic choice. Since I’ve committed to a full Christie marathon, it meant revisiting occasional stinkers as well as masterpieces; not everything Dame Agatha touched turned to gold. If I didn’t want to end up with a bunch of duds to read through gritted teeth, I’d better start sprinkling them in along the way. I remember being underwhelmed with a few Christie novels, but I’d be surprised if I come across a worse book than The Big Four. It’s a relief to get this travesty out of the way.
I’ve now plowed through about one third of Agatha Christie’s detective oeuvre (only three more years to go before I finish them all, going by the current pace… wheee), but I’ve only now stumbled on a novel that features and is narrated by Hercule Poirot’s own faithful Watson, Arthur Hastings. I say stumbled because, while the details of the story gradually floated back into my memory the longer I read, especially the undeniably clever ending, this novel had kinda faded from my brain. Though maybe not the most memorable Poirot mystery ever, it’s not without its charms, not the least of which is the friendship between Poirot and Hastings. Everyone likes a bickering couple!
A classic locked room mystery from the Queen of Crime, with the murder committed in the ultimate locked room – an aircraft cabin a few thousand feet up in the air.
Hercule Poirot takes a midday flight from Paris to London, but thanks to acute motion sickness, can’t take time to observe the ten fellow passengers in his section of the plane. The diverse bunch includes a crime novel writer, a countess with a secret cocaine habit, father and son archaeologists, a Harley Street doctor, a young hairdresser back from a holiday and an attractive dentist in the opposite seat who she’s crushing on. As the plane nears its destination, the stewards make a shocking discovery: one of the passengers, an elderly French lady, is found slumped and dead in her seat.