I thought I was going to miss out on this movie, but thanks to its recent historical success at the Oscars, South Korean director Bong Joon-ho’s film got a second life at the cinemas. It’s a remarkable and wildly entertaining ride that deserves to be seen on a big screen, if only for the reactions of the crowd gasping out loud at the movie’s twists and turns.
A couple of promising debuts from young female artists; an awesome stomping rawwk record.
I absolutely loved Kate Atkinson’s brilliant and inventive Life After Life from a few years back, a genre-defying novel that portrayed the many parallel lives of its heroine Ursula Todd in the first half of the 20th century. It also introduced the readers to the rest of the Todd family, among them Ursula’s beloved younger brother Teddy who becomes a bomber pilot in World War II. In the final “life” of the novel, Teddy gets a miraculous reprieve: presumed dead by everyone, he survives the war and comes back after having spent time as a POW. A God in Ruins takes that ending and runs with it, exploring Teddy’s war as well as his post-war life, a life that he never really expected to have.
This novel marks the debut of Miss Marple, Christie’s other beloved fictional detective, a gentle and harmless-looking old lady with a keen interest in human nature and a remarkably clear view of its dark side. I couldn’t say if it’s the best Miss Marple whodunit, but it ranks as my personal favourite for being so enjoyable to re-visit. I lost count of how many times I picked up my old tattered copy of The Murder at the Vicarage (now replaced with a more respectable one) for a quick and easy in-between comfort re-read.