I’m making this one for my little niece, who loves Toy Story (my sister is also a big Disney/Pixar fan, so everybody’s happy). I found an existing Toy Story art that’s absolutely perfect for my medium, but I tweaked the colour scheme; less artsy, more kid-friendly. I’ve already done away with some smaller details (sorry Bo Peep!), but I suspect I’ll have to simplify this a lot more along the way, or do the finer details with paper rather than fabric.
Now I hope I can round up all the materials before the next wave of coronavirus measures closes down everything. A time-consuming indoor hobby would be really handy now that I have six weeks off work in the next three months, and a strong possibility of the Australia lockdown happening.
I finally got around to reading this excellent biography of Mexican artist Frida Kahlo, which I picked up, appropriately enough, during my trip to Mexico almost three years ago. I’ve been a fan of Frida’s striking, intensely personal paintings for a long time, and during my trip I was lucky enough to visit Casa Azul, the Frida Kahlo Museum in the neighbourhood of Coyoacán in Mexico City. In retrospect, I almost wish I’d read the book and got more insight into Frida’s life before the visit, but ah well.
I really wish I could have kept this one for myself, it’s one of my favourite pieces that I’ve done so far. The fire effects worked out pretty well – I ended up using layered transparent fabrics to simulate the flames, and shiny red and gold fabrics for accents. They definitely added a lot to the artwork.
The moment of truth this past weekend, as I finally combined the main figure with the background! This deceptively simple task took me about five hours; I had to cut out the shape along the edge very carefully with the scalpel, then paint the edges to mask the white cardboard. Next up is finishing a few small details of the armour that would have been too fine to cut out, and doing the fire effects… somehow.
The scary gentleman is progressing nicely and I’m having fun working with leather as my main material. The best thing about leather is that you don’t have to carefully iron every. single. piece. before sticking it on. I still have no clue how I’m going to make the fire effect, but, as Scarlett O’Hara used to say, I’ll think about that tomorrow.