Mountain artwork finished!

The artwork is now completed, framed and hanging in my Mum’s dining room. The sky was a bit trickier to do than the mountains; I had to scrap a couple of completed sections because the balance just wasn’t right and the fabrics I picked were too dark or too light, or too shiny and reflective. At this point I know better than to go, oh no that’s not too bad, it will do. Gut instinct is always right and must be obeyed!

I’m still a tiny bit irked that the original artwork I based it on turned out to be AI-generated, but I’m very happy with the final result. It was also wonderful to have a creative project to sink my teeth into and I’m already thinking of what I could do next.

Mountain artwork in progress 09/2025

I now finished the mountains in the foreground, and it’s been a fun and smooth sailing so far. This artwork is one of my more structured pieces, a bit like putting together a jigsaw puzzle with little room for experimentation. It’s a more rigid process perhaps, but I also find it quite soothing. As always, no matter how much leftover fabric I’ve got, I still need to make trips to the fabric stores for more shades!

New artwork

I’m finally starting a new fabric artwork after nearly five years, probably my longest break yet thanks to the lack of inspiration and motivation. Another more positive reason is that ever since the pandemic I feel like less of a homebody on the weekend, and prefer to spend much more time outdoors even in winter months. Still, I look forward to a big new project I can really sink my teeth into.

It’s meant to be a companion piece for the abstract sailboat artwork I did for my Mum a while back, with a similar style and palette of vibrant colours. I’m basing it on this mountain landscape pic I found:

Now that I traced it, the final version is supposed to look something like this, although as always I expect I’ll have to simplify it during the process:

Dark Souls artwork in progress 02/2019

The moment of truth this past weekend, as I finally combined the main figure with the background! This deceptively simple task took me about five hours; I had to cut out the shape along the edge very carefully with the scalpel, then paint the edges to mask the white cardboard. Next up is finishing a few small details of the armour that would have been too fine to cut out, and doing the fire effects… somehow.

Dark Souls artwork in progress 11/2018

The scary gentleman is progressing nicely and I’m having fun working with leather as my main material. The best thing about leather is that you don’t have to carefully iron every. single. piece. before sticking it on. I still have no clue how I’m going to make the fire effect, but, as Scarlett O’Hara used to say, I’ll think about that tomorrow.

Dark Souls artwork in progress 09/2018

The background is finished! Compared to the previous piece I’ve done for my brother it was easy-peasy, but then I suspect that every artwork I do from now on will be short and sweet in comparison.

Every one of my artworks involved some luck along the way, and this time I was stoked to find the crinkly silky fabric of just the right ochre shade (finding the right colour can be a bitch). Another unexpected bonus was getting the air bubbles effect on the gold fabric I’ve used for the sky; in any other artwork it would have been a disaster, but with this one the more texture the better. Now it’s time to begin on the main figure and the real fun starts.

New artwork is officially a thing

I’ve started on my next fabric artwork project, once again requested by my brother. This time he wanted me to base it on a video game called Dark Souls III, featuring this rather intimidating gentleman who seems to be experiencing serious wardrobe malfunction:

This will be an interesting challenge; it’s not the easiest image to execute with fabrics and will most likely require a mix of materials like leather and paints and some thinking outside the box.

For now, I’ve finished creating the template. From my previous experience I knew better than attempting to do the drawing in Illustrator straight from the image – I reduced the opacity of the image, printed it out, traced over it with a pen, scanned it, then did a vector drawing in Illustrator. Now it’s time for trawling through the fabric stores.