One of the joys of travel is finding things you’re never going to encounter at home. I spotted this book at a supermarket checkout while in Alaska, and I think it’s safe to say I wouldn’t have come across it anywhere else. I’ve read quite a few stories about the famous Alaskan gold rush, but this book offers a very unique perspective on the time and place, focusing, as the title suggests, on the women of the demimonde who flocked to the Far North’s gold camps in the late 1890s and early 20th century. It aims to shed light on the “off the record” history of the pioneers, and women who in their own ways influenced the frontier life.
My history education back in Russia fell on the period where, in my primary school during the last years of the Soviet Union, we were fed the rosy idealised stories about “Grandfather Lenin”. There were school excursions to lay the flowers at the city’s Lenin monument, the red star-shaped pins with Lenin’s portrait in the middle that every kid had to wear at school, and so on. Once the USSR was no more, immediately after there came a weird transitional period where they couldn’t quite figure out what version of history to teach; as an example, my history book somehow managed to have one oblique mention of Stalin in the entire post-revolution part. My idea of Lenin therefore was always rather lopsided; I figured that the idealised version wasn’t true but had little to replace it with, especially after moving to Australia. I was then quite interested to read this biography by Hungarian-born, UK-raised Sebestyen; while complete objectivity is non-existent I thought that the book provided a fairly balanced view of Lenin’s undeniably remarkable life.
Another novel I’ve read for our book club at work, this time a follow-up to Hannah Kent’s best-selling debut, Burial Rites, which I didn’t love anywhere as much as others did and found rather over-praised. Maybe it was the lowered expectations, but I ended up enjoying this one much better. Kent seems to have a penchant for the grim northern settings and harsh landscapes; Burial Rites was set in an isolated Icelandic community and this book moves the action just a bit further south, to a remote valley in the 1820s Ireland. The subject matter however is entirely different: The Good People concerns itself with the Irish folklore and superstitions, particularly the fairies, or the Good People, who according to the traditional beliefs belong to neither God nor Devil but exist on their own, mischievous and unpredictable terms.