Books are like cities. Some you only ever need to visit once and you absorb all they have to offer in one go, while others you could re-visit over and over, getting lost in its alleys and passageways and noticing new things every time. This book, not quite a traditional novel but more like a novel in short stories, about the community in a small coastal town in Maine, is so rich in detail and insight I can see myself picking it up from the book shelf a few times over.
This Miss Marple novel has a couple too many convenient coincidences for my liking, but remains one of the most fun Christie mysteries to re-visit.
It surely has one of her best openings. In a small village of Chipping Cleghorn, the locals settle comfortably into reading their favourite local Gazette when they spot a most peculiar notice announcing a murder that’s about to take place that day at 6.30pm, at a place called Little Paddocks. Nobody takes it seriously and all assume that it refers to some sort of murder mystery evening, but all agree that they should definitely show up and find out. The announcement comes as a total surprise to Miss Letitia Blacklock, the owner of Little Paddocks, but being a practical woman she’s resigned to the mob of curious villagers showing up at her doorstep, and prepares drinks and suchlike. Things turn from frivolous to serious when the evening ends with gunshots and death of a stranger.
Another quick re-read in between the book club. I’m actually thinking of doing an official Agatha Christie re-readathon challenge, where I read and review every novel by the Queen of Crime, yes all 66 of them. If I finish one each month, this should take me only five and a half years. Piece of cake.
This psychological thriller left me with a question, can an average book be elevated by a brilliant, shocking last-minute twist that makes you look at the story and characters in a whole different light? Yes… to a degree.
The story centres on two sisters, Robin and Sarah, who despite being fraternal twins are pure chalk and cheese: Robin is wild, rebellious and outspoken, Sarah is a good girl, docile and eager to please. When a shy and sensitive boy called Callum Granger shows up at their school and becomes friends with the girls, none of them can predict the seismic shift that’s about to rock their families and leave Robin in the UK while Sarah moves to the States.
I’ve always been fascinated by what if scenarios in fiction, and the one explored by this Norwegian author is devastatingly simple: what would happen to the human society if the bees went extinct? Spread across almost 250 years and three stories, all involving bees to some degree, Lunde’s book finishes with a tentative note of optimism but not before taking the reader on a dark ride of dashed hopes and bleak prospects for our world.
Other than a cautionary tale, the major thread of the novel is the bond between parents and children, the joy and heartbreak it brings, and the different legacies we leave behind. While Lunde doesn’t experiment with style to the degree of, say, Cloud Atlas, the novel is a mix of historical, modern and speculative fiction, only spelling out the direct connections between the three narratives at the very end.
I meant to get started on the next book for our club, but instead I got sidetracked re-reading this Agatha Christie mystery, a Miss Marple mystery to be precise. This book has an unusual history in Christie’s oeuvre – during her life it was locked in a vault on her request, to be published posthumously along with Curtain, Hercule Poirot’s last mystery. Unlike Curtain, which wrapped up Poirot’s life and work, there’s no such finality in Sleeping Murder and there are further Miss Marple stories that follow it chronologically, so the foreboding byline on the book cover is pretty misleading. No need for drama, Miss Marple is still alive and kicking at the end.
Another book club read, this time a crime novel by an author with a perfect crime writer name (imagine if she wrote romance instead; Forbidden Love, a new luscious bodice-ripper from Karin Slaughter).
The book is about a family destroyed by the unsolved disappearance of the eldest daughter, Julia Carroll, who went missing near her University of Georgia dorm when she was 19. Her father Sam became obsessed with his own investigation, retreating from the rest of his family and ignoring his two remaining daughters, and eventually committed suicide. Sam’s anguished diary entries introduce the central mystery, and serve as one of the three points of view used to tell the story.