I quite enjoyed the previous P.D. James murder mystery I’ve crossed paths with, but I didn’t have as much success with this last entry featuring Commander Adam Dalgliesh. Though seeing that it’s the 14th novel in the series, it’s not enough for me to cool down on them altogether. After all, a series this long-running is bound to produce some duds.
The scene of the crime is the fictional grand country estate called Cheverell Manor, situated a few hours out of London, in Dorset. Once the property of a distinguished family, it has been converted to a private clinic belonging to George Chandler-Powell, renowned plastic surgeon. The victim is one his patients, investigative journalist Rhoda Gradwyn who visits the clinic to remove a disfiguring facial scar. She comes to the manor twice, once on a preliminary visit to get acquainted with the place, and again later for her big day, which ends with her death. In between, the novel implies, she just can’t help her journalistic instincts and digs up some dirt on one of the manor employees. Or maybe it’s a red herring and the murder was about something else entirely. It’s up to Adam Dalgliesh and his team to find out.
This is a classic murder-in-isolated-setting setup, and it was intriguing enough to keep me turning pages, but only just. The most disappointing aspect of the whodunnit itself is that it’s resolved not so much through the efforts of investigation, but with the culprit handing themselves in via a bizarrely melodramatic turn of events.
The most disappointing feature of the novel is the dreadful amount of padding which grinds the pace to a screeching halt. I am not necessarily against the descriptive passages, and I appreciate the attempts to flesh out the characters and treat them all with empathy, no matter how minor. But good lord do I really need to know the exact configuration of a character’s living room, with a full list of furniture and where everything is placed? Then there are detailed descriptions of people’s appearances, meals and car trips from Dorset to London which could be edited out with no loss to the story whatsoever. The book also detours into the personal life of Dalgliesh, which I’d probably be more interested in if I had more attachment to his character. To be fair, it would perhaps be wiser to read some more of the earlier books before diving into the last one.
Along the way, there are some insightful thoughts on class and the changing British society, a few well-written characters and atmospheric settings (spiced up with a ghoulish story of a burnt witch). So it wasn’t a total waste of time, but there was no reason for this book to be almost 400 pages long and it could have done with some ruthless snipping.