I’ve started on my next fabric artwork project, once again requested by my brother. This time he wanted me to base it on a video game called Dark Souls III, featuring this rather intimidating gentleman who seems to be experiencing serious wardrobe malfunction:
This will be an interesting challenge; it’s not the easiest image to execute with fabrics and will most likely require a mix of materials like leather and paints and some thinking outside the box.
For now, I’ve finished creating the template. From my previous experience I knew better than attempting to do the drawing in Illustrator straight from the image – I reduced the opacity of the image, printed it out, traced over it with a pen, scanned it, then did a vector drawing in Illustrator. Now it’s time for trawling through the fabric stores.
Definitely an odd one out for me, but it’s been ages since I’ve been to a big flashy show, and this concert was a fun night out and everything you’d want from an arena pop spectacular. Dancers, costume changes, flying props oh my!
A heart-warming and visually stunning documentary about a 13-year-old girl living with her nomadic family in Mongolia’s harsh Altai mountains, who becomes the first female eagle hunter to compete in the annual Golden Eagle Festival.
I have a big soft spot for all things wacky and bizarre, and I enjoyed this colourful and wildly imaginative space fantasy from Luc Besson much more than I thought I would, after the so-so reviews. But if there was ever a movie killed by the horrendous casting choices, Valerian is surely it.
I didn’t know much about this movie other than its highschool classic status alongside films like Clueless and Mean Girls, but it turned out to be a different beast altogether. Darker, more subversive and definitely not pretty in pink. In a good way.
My recent haul from the Dixons Recycled secondhand music store in Fitzroy. Who doesn’t love a bargain?
I can’t believe I’ve overlooked this 1993 Jane Campion masterpiece for so long, though on the other hand I doubt I’d have appreciated it as much as a teenager; its bleak yet sensuous atmosphere, literary vibe and complicated relationships probably resonate better with my older self.
Watched the latest unsettling sci-fi mind-bender from Alex Garland, the writer/director of Ex Machina, that got dumped on Netflix for being “too complicated” for the wider audience. I’m sorry that I never got a chance to see it on the big screen, but good on the creative team for refusing to dumb it down.
yggdrasille.com 