As far as film adaptations of Daphne du Maurier go this is no Rebecca, but at the very least this solid-enough period drama is a fine vehicle for the talents of Rachel Weisz.
I can’t believe I’ve overlooked this 1993 Jane Campion masterpiece for so long, though on the other hand I doubt I’d have appreciated it as much as a teenager; its bleak yet sensuous atmosphere, literary vibe and complicated relationships probably resonate better with my older self.
Confession: though I always loved classic literature I could never make it through a single Jane Austen book – I tried at least four of her novels and gave them all up in the first fifty pages. Something about her writing style clearly rubs me wrong, but despite this, I enjoyed many of the Austen film and TV adaptations. While this onscreen version of her early, little-known novella is not my favourite it was amusing and diverting.