
Tag: review
Cabaret – Film Review
As I’ve mentioned in some other reviews, musicals are not really my cuppa, so if you bring up a classic movie musical chances are I haven’t seen it. Same went for this 1972 film directed by Bob Fosse; the only two things I knew about it was that 1) it starred Liza Minnelli and 2) it’s set in Weimar era Germany, at the time when the Nazi Party was on the rise. After watching the film, I can happily add one more musical I really like to my short list. Maybe my issue is more that I don’t care for the wholesome happy musicals?
Wonder Woman – Film Review
With the quality of the recent DC output, Wonder Woman basically needed to be merely decent and competent to qualify as the best of the bunch. And compared to something like Suicide Squad, Patty Jenkins’s film is an outright revelation, but to someone who’s had their fill of merely decent superhero movies, it comes off as mostly rote and by-the-numbers origin story except that, this time, it stars a female superhero. Which yes yes is a cause for celebration, but I just wish there was more to distinguish this movie other than its femaleness.
New music 06/2017 – The XX, Goldfrapp, Seis Cuerdas, Nick Cave
The xx – I See You
Like many people, I adored this band’s hushed minimalist debut, but then came the dreaded second-album dilemma: where to go next after you’ve already emerged as a fully formed deal with the sound, image and mood all perfected? More often than not it’s a course of diminishing returns, more of the same but not quite as good. Luckily, on this third album the xx seem to have figured out how to move on by embracing a wider range of influences, samples and vocal loops, and the end result sounds both fresh and unmistakably like the xx.
There’s also a greater variety of mood; while it’s not necessarily a “happy” album some songs sound decidedly more optimistic and upbeat. Romy Madley Croft and Oliver Sim may not be great singers in a conventional sense – neither of them has much depth or range – but they know their way around limitations and their vocal interplay still remains enchanting. A couple of songs in the middle of the album sticks closer to the blueprint of the debut, and while they’re fine the best tracks are the ones where the band push themselves.
Alien: Covenant – Film Review
I was on the fence about this one, but in the end I decided to catch it before it disappeared from the cinemas. I can’t say I regret the decision and I’m glad I’ve watched the film, because no one shoots sci-fi like Ridley Scott, but the most damning thing I can say about Alien: Covenant is that it’s the first entry in the series that doesn’t offer anything new, and instead plays like the Alien: Greatest Hits.
The Mist – Film Review

Written and directed by Frank Darabont, The Mist is a third story by Stephen King that Darabont adapted for the screen after The Shawshank Redemption and The Green Mile. It would have been a pretty solid if unremarkable horror movie except for two things: a truly awe-inspiring monster sequence near the end, and the ending itself, which I suspect left many people feeling angry, depressed or both (I’m in the “depressed, but wow what a bold ending” camp, myself).
Things to Come – Film Review
Our trip to the cinema to see this French film with the incomparable Isabelle Huppert started off with a bit of drama: as the room went dark and the opening credits rolled in, Mum and I realised we were in a wrong cinema and instead were watching a British war film, which explained the trailer for Dunkirk. Oops. We hurried across into the right theatre and luckily our session hasn’t started yet.
The Good People by Hannah Kent – Book Review

Another novel I’ve read for our book club at work, this time a follow-up to Hannah Kent’s best-selling debut, Burial Rites, which I didn’t love anywhere as much as others did and found rather over-praised. Maybe it was the lowered expectations, but I ended up enjoying this one much better.
Bram Stoker’s Dracula – Film Review
It’s been forever since I read Bram Stoker’s classic gothic horror novel, but I can’t really remember Dracula giving the female heroine her sexual awakening. Nevermind, I do have a soft spot for the Beauty and the Beast trope and Gary Oldman as the monstrous yet tragic Dracula is captivating and sensual… well at least when he’s in his young human Gary Oldman form with the fabulous long hair. Not so much when he’s hanging from a ceiling as a hideous human-sized bat.
Get Out – Film Review
My only regret with this film is that I already knew the big reveal beforehand from watching a spoiler-filled review. I’ve no idea why I did this to myself, I can’t even blame the reviewer who was thoughtful enough to include a spoiler warning – but I just kept on watching. The movie was still hugely enjoyable and suspenseful, and had other twists and surprises up its sleeve, I just wish I came into it knowing as little as possible.
