Adventurous debut from godmother of feminist rock; a dark, atmospheric and intense take on traditional Irish folk that got me to learn a new genre, doom folk.
I did it: after five and a half years, and eighty novels and short story collections, I’ve finished my Agatha Christie re-readathon with the Poirot mystery that started it all.
A layered, smart and elegant psychological thriller that begins as a murder mystery, morphs into a courtroom drama, and ends up a blistering examination of a failing marriage.
The Queen of Crime brings down the curtain on life and work of Hercule Poirot in this melancholy finale that does give her most famous creation a dramatic and memorable send-off.
I felt like re-visiting this collection of four dark and disturbing novellas of varying quality, all centred around the themes of justice, complicity and retribution.
Based on real-life experiences, this tender and harrowing movie is an impressive and deeply felt debut telling the story of an Iranian mother and her daughter trying to rebuild their lives in Australia.
I’ve watched a few Christmas movies over the festive season, including this corny but charming 2006 romantic comedy about two women swapping homes and lives.