Adam Elliott’s stop-motion animation about a snail-collecting outsider is an offbeat and bittersweet saga, shifting between tragedy and comedy in a story about the shells we place on ourselves.
In honour of Halloween, I thought I’d check out yet another 80s classic I’ve never watched before, a ghoulish supernatural comedy from Tim Burton that may be slight on story and characters but is still utterly charming and inventive.
I can’t say I’m a huge fan of body horror, but I really loved this brash, bold and obscene fable that feels like a work of singular vision despite easily spotted influences.
Each unhappy family is unhappy in its own way, as the famous Leo Tolstoy quote goes. It’s fair to say that the unhappy family in this quirky and zestful novel is quite unlike anything else I’ve read about.
The American remake doesn’t pack the brutal punch and thematic weight of the original, but it still works as a tense and gripping psychological thriller with some strong performances.
This bleak, cruel and twisted Danish horror film would have been unbearable if it didn’t also explore some interesting ideas about politeness and boundaries. It still made me feel not quite myself for the rest of the evening.