or: How I Learned to Stop Worrying and Love the Bomb
Finally got to watch the classic Stanley Kubrick political satire/black comedy about that most hilarious subject, the global nuclear holocaust.
Finally got to watch the classic Stanley Kubrick political satire/black comedy about that most hilarious subject, the global nuclear holocaust.

A bonkers trip into the warped and wonderful mind of Terry Gilliam that has nothing to do with a soccer-loving country in South America, and more to do with 1984, George Orwell’s dystopian masterpiece. It’s also set at around Christmas, so I think I’ll be happy to think of it as an alternative Christmas movie a la Die Hard.

As I’ve mentioned in some other reviews, musicals are not really my cuppa, so if you bring up a classic movie musical chances are I haven’t seen it. Same went for this 1972 film directed by Bob Fosse; the only two things I knew about it was that 1) it starred Liza Minnelli and 2) it’s set in Weimar era Germany, at the time when the Nazi Party was on the rise. After watching the film, I can happily add one more musical I really like to my short list. Maybe my issue is more that I don’t care for the wholesome happy musicals?
With the quality of the recent DC output, Wonder Woman basically needed to be merely decent and competent to qualify as the best of the bunch. And compared to something like Suicide Squad, Patty Jenkins’s film is an outright revelation, but to someone who’s had their fill of merely decent superhero movies, it comes off as mostly rote and by-the-numbers origin story except that, this time, it stars a female superhero. Which yes yes is a cause for celebration, but I just wish there was more to distinguish this movie other than its femaleness.
I was on the fence about this one, but in the end I decided to catch it before it disappeared from the cinemas. I can’t say I regret the decision and I’m glad I’ve watched the film, because no one shoots sci-fi like Ridley Scott, but the most damning thing I can say about Alien: Covenant is that it’s the first entry in the series that doesn’t offer anything new, and instead plays like the Alien: Greatest Hits.

Our trip to the cinema to see this French film with the incomparable Isabelle Huppert started off with a bit of drama: as the room went dark and the opening credits rolled in, Mum and I realised we were in a wrong cinema and instead were watching a British war film, which explained the trailer for Dunkirk. Oops. We hurried across into the right theatre and luckily our session hasn’t started yet.
It’s been forever since I read Bram Stoker’s classic gothic horror novel, but I can’t really remember Dracula giving the female heroine her sexual awakening. Nevermind, I do have a soft spot for the Beauty and the Beast trope and Gary Oldman as the monstrous yet tragic Dracula is captivating and sensual… well at least when he’s in his young human Gary Oldman form with the fabulous long hair. Not so much when he’s hanging from a ceiling as a hideous human-sized bat.