Another gem brought to my attention by the History Buffs YouTube channel. Directed by Peter Weir and adapted from nautical historical novels by Patrick O’Brian, Master and Commander unfortunately didn’t make enough money to become a series, which is a shame. Maybe the long unwieldy name put people off; as far as terrible film titles go it’s no Mrs Caldicot’s Cabbage War, but unless you’re a fan of the books it doesn’t really sound like an exciting proposition, which is probably why I skipped the theatrical release myself.
Tag: movies
Orlando – Film Review
Loosely based on a novel by Virginia Wolf, Orlando chronicles 400 years through the eyes of its gender-bending hero/heroine, played by Tilda Swinton. Born in the time of Queen Elizabeth I, Orlando is a young nobleman who becomes the favourite of the aging monarch, and is commanded to never wither and grow old.
The film then moves through the four centuries as Orlando falls in love with a Russian princess, tries different careers including a stint as an ambassador to the Middle East, dabbles in poetry… and changes sex midway, awakening one morning to find herself a woman (Orlando’s calm reaction while observing her new body: Same person. No difference at all… just a different sex.)
The English Patient – Film Review
I watched this film once 20 years ago, after it swept the 1997 Academy Awards and famously became the object of hatred for Elaine from Seinfeld:
I didn’t share Elaine’s visceral loathing for the movie, but I remember feeling rather underwhelmed and wondering why on earth this film was praised so much. Then recently I found a DVD of The English Patient in Mum’s collection (she’s one of the many people who loved the movie), and thought I’d give it a second chance.
It – Film Review
This big-screen version of Stephen King’s 1,200-page doorstopper is not great, but solid enough, and considering the overall woeful track record of King film adaptations, it can be counted as a success.
Zootopia – Film Review
While I found some of its messages rather muddled, Zootopia is a fun, charming, beautifully animated Disney flick that’s part fish-out-of-water, part mismatched buddies comedy, part detective whodunnit.
Wind River – Film Review
A stark and powerful mystery thriller, with a mood of deep melancholy that stuck with me long after I’ve left the theatre. Part of it is the natural setting, the vast, silent wintry expanses of snow and forbidding mountains of Wyoming, where the story takes place. While beautiful in its own way, this desolate environment makes for a harsh life. Another part is the sorrow and desperation of the people who live on the edge of this wilderness, and the hard-hitting, ugly violence of some key scenes. And there’s the haunting, sparse score from Nick Cave and Warren Ellis.
John Wick – Film Review
Ah, Keanu Reeves. For a long time, I foolishly dismissed him as just a mediocre wooden actor, and I still consider his performance in Bram Stoker’s Dracula a crime against cinema. With time, I learned to appreciate his unique onscreen presence and a peculiar blend of masculine and feminine qualities; he might not have the greatest range but he’s a fantastic physical actor and in a right role, his performances are truly iconic. John Wick is one of those perfect vehicles for Reeves’ particular set of talents.
The Lobster – Film Review
The Lobster made me think of Ray Bradbury’s sci-fi short stories I read as a teenager, where some “what if” premise would be taken to an absurd extreme, except that this movie does it with an extra helping of bonkers. If you’re a fan of out-there scenarios, the summary should grab you instantly.
Klute – Film Review
As a thriller Klute is only mildly diverting, but it excels as a character study and a vehicle for Jane Fonda’s intelligent, fascinating tour-de-force performance. Fonda received a Best Actress Academy Award for her role, and she absolutely owns the movie.
Bridge of Spies – Film Review
A solid, low-key Cold War drama thriller from Steven Spielberg. “Solid” might not sound like much of a compliment, but sometimes it’s just satisfying to watch a well-made film that might not be edgy or exceptional and just about avoids the worthy and dull basket, but which also brims with confidence and expertise in cinematic craft. It achieves a difficult balance of dramatising a true story where, on one hand, too much of real life would probably make it boring and on the other, it still has to retain some realism in order to not lapse completely into fake movie-land.
yggdrasille.com 