The Lobster made me think of Ray Bradbury’s sci-fi short stories I read as a teenager, where some “what if” premise would be taken to an absurd extreme, except that this movie does it with an extra helping of bonkers. If you’re a fan of out-there scenarios, the summary should grab you instantly.
I haven’t read the novel or seen the 1971 version with Clint Eastwood, but it probably wouldn’t matter if I did. Whether based on an original story or adapted from an existing source, Sofia Coppola’s films are so distinctive they drive all thoughts of comparisons away and feel like entirely her creations. The Beguiled has Coppola’s trademark languid, atmospheric style, and shares some similarities with her previous films like The Virgin Suicides and Marie Antoinette – women cloistered away from the outside world, in a beautiful but stifling setting. There’s also a shade of Picnic at Hanging Rock, with all the imagery of young girls in their ghostly dresses.
Watched Oliver Stone’s much-maligned historical epic about Alexander the Great, the famous Macedonian king who conquered most of the world known to the ancient Greeks by the age of thirty. It’s a messy film with a miscast lead, but it honestly wasn’t as bad as its reputation (and 16% Rotten Tomatoes rating) would have me think. I haven’t seen the original theatrical release so I can’t tell if this version is an improvement; apparently there are four different versions floating around with the last Ultimate Cut adding 40 extra minutes… that would have made for a very long night in front of TV.