The Square – Film Review

This Swedish Palme d’Or-winning film is a sprawling satire of the contemporary art world and is a bit like a modern art installation itself: you’re not always sure about the artist’s intent, it may feel baffling, confronting or tedious, but at its best it can leave you with some indelible imagery and food for thought.

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The Terminator & RoboCop – Film Review

I went to the Astor Theatre for a double shot of 80s action classics. I haven’t watched The Terminator in forever and I’ve never seen RoboCop, and it’s to the latter’s credit that it kept me awake and engaged well past my normal bedtime. Also, I got to pet the Astor’s resident cat, a big fluffy sweetie, so that’s a nice bonus.

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Phantom Thread – Film Review

A sumptuous, beautifully crafted and in the end rather perverse film about a fascinating relationship with the shades of Hitchcock’s Rebecca, Phantom Thread is also a grand (and supposedly final) showcase for Daniel Day-Lewis’ monumental acting talent. Hopefully he’s just taking a break, with more farewell tours to follow.

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Three Billboards Outside Ebbing, Missouri – Film Review

A terrible unwieldy title can sometimes seriously put you off watching a film, but I’m glad that the positive word of mouth and critical acclaim got me into the cinema after all. This sharp, funny, brutal drama from Martin McDonagh is probably the best worst-named movie I’ve seen.

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The Problems with Rey

These new Star Wars movies sure do bring out my analytical side. I’ve already done my review of The Last Jedi, but in this piece of over-thinking I wanted to focus more on Rey, who I find one of the most frustrating protagonists in the recent times. No don’t run, this is not another article on why Rey is a Mary Sue, or why it’s wrong and/or sexist to think that she is. I have zero interest in comparing power levels and skills and why this character shouldn’t have beaten that character, I’m more interested in examining things like motivations and character arcs, and why the writing for this trilogy so far has been letting Rey down.

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Call Me By Your Name – Film Review

First great film I’ve seen in 2018, Call Me By Your Name is a moving coming-of-age tale, a beautiful romance and a love letter to the warm, sensuous, sun-kissed charms of Northern Italy. I’m sure I say this every time, but my heart skips a beat whenever I see lush summery European landscape onscreen, and in Luca Guadagnino’s film it’s a perfect backdrop for the gently unfolding, finely observed, slow-burn story of a vibrant, life-changing first love that cannot last.

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