I caught up with one of the most critically acclaimed albums from 2020, plus something old and something new (and something blue) by one of my Aussie favourites.
Judi Dench gives a touching, understated performance in a movie based on a powerful true story about an elderly Irish woman searching for her son, given up for adoption when she was young and living at a convent for unwed mothers.
This collection of short stories, first published in 1924 and featuring Christie’s own Sherlock Holmes and Dr Watson, may not be as satisfying as Christie’s Poirot novels, but it showcases the future Queen of Crime honing her craft.
I just recently re-read Ira Levin’s chilling horror classic for the umpteenth time, so I thought I’d also look up the even more famous 1968 film adaptation with Mia Farrow.
I really enjoyed this adaptation of Aravind Adiga’s darkly satirical Booker-winning novel, one of the better book-to-screen transitions from the recent times.
I found that while I still had enthusiasm for reading new books and watching new films and TV series in lockdown, when it came to music my overwhelming mood was to shut down, listen to the music I already loved, and not make much effort to get into something new. I did however make an exception for a couple of my favourite ladies, both making interesting pivots from their previous work.
I’m always up for some slow-paced science fiction tackling Big Questions. Though it’s not without a few serious flaws, I really enjoyed this dark, mesmerising and ambitious miniseries written and directed by Alex Garland.
One of my personal favourites, After the Funeral may not have the sort of shocking and daring high-concept solution that marks Christie’s most popular novels, but for me it’s simply a great example of the Queen of Crime excelling at her craft.
Beautifully observed and bittersweet drama about the conflict between family ties and cultural values, with an impressive dramatic turn from Awkwafina.