My Top 50 Favourite Albums

I found a list of my top favourite 50 albums I’d made back in 2008, and I thought it would be fun to revisit and update. More than half of my picks remained the same, so my musical tastes haven’t undergone a dramatic change in the last ten years. Organising the albums in the exact order of preference is too much headache, so after the top two it’s a loose list.

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Phantom Thread – Film Review

A sumptuous, beautifully crafted and in the end rather perverse film about a fascinating relationship with the shades of Hitchcock’s Rebecca, Phantom Thread is also a grand (and supposedly final) showcase for Daniel Day-Lewis’ monumental acting talent. Hopefully he’s just taking a break, with more farewell tours to follow.

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Three Billboards Outside Ebbing, Missouri – Film Review

A terrible unwieldy title can sometimes seriously put you off watching a film, but I’m glad that the positive word of mouth and critical acclaim got me into the cinema after all. This sharp, funny, brutal drama from Martin McDonagh is probably the best worst-named movie I’ve seen.

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The Problems with Rey

These new Star Wars movies sure do bring out my analytical side. I’ve already done my review of The Last Jedi, but in this piece of over-thinking I wanted to focus more on Rey, who I find one of the most frustrating protagonists in the recent times. No don’t run, this is not another article on why Rey is a Mary Sue, or why it’s wrong and/or sexist to think that she is. I have zero interest in comparing power levels and skills and why this character shouldn’t have beaten that character, I’m more interested in examining things like motivations and character arcs, and why the writing for this trilogy so far has been letting Rey down.

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Call Me By Your Name – Film Review

First great film I’ve seen in 2018, Call Me By Your Name is a moving coming-of-age tale, a beautiful romance and a love letter to the warm, sensuous, sun-kissed charms of Northern Italy. I’m sure I say this every time, but my heart skips a beat whenever I see lush summery European landscape onscreen, and in Luca Guadagnino’s film it’s a perfect backdrop for the gently unfolding, finely observed, slow-burn story of a vibrant, life-changing first love that cannot last.

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