When I heard that the third film in the rebooted Star Trek franchise would be headed by The Fast and the Furious director, I cringed, and when I saw the first loud, dumb trailer I cringed even harder. After seeing the movie, I’m happy to say that it’s far, far from the disaster I was anticipating, and in many ways an improvement on Into Darkness. Which is not to say it’s perfect as it comes with a set of problems of its own.
Radiohead – A Moon Shaped PoolRadiohead have always been a band I found easier to admire than to love. I’m very fond of The Bends and there’s a good dozen songs of theirs that move me deeply, but I never felt an urge to own a whole Radiohead album since their second one. So I’m rather surprised to find that I dig their latest so much. It’s probably their prettiest album; while they haven’t abandoned their weird eerie electronica thing the emphasis here seems to be more on the orchestral arrangements, with gorgeous strings and sad pianos. Thom Yorke’s vocals, which in the past I often found too nasally and strident for my liking, has also never sounded more gorgeous.
This reboot of a beloved 80s classic is neither a comedy masterpiece nor a proof that Jesus died in vain, as some people’s reactions would have you think.
Confession: though I always loved classic literature I could never make it through a single Jane Austen book – I tried at least four of her novels and gave them all up in the first fifty pages. Something about her writing style clearly rubs me wrong, but despite this, I enjoyed many of the Austen film and TV adaptations. While this onscreen version of her early, little-known novella is not my favourite it was amusing and diverting.
This is the first volume in the Italian writer’s Neapolitan Novels series, and if the next three books are as good as this one I should make it to the end of the quadrilogy in no time at all.
Lovely movie by a first-time Turkish-French director that takes a look at adolescence, the suppression of female sexuality and the arranged marriage in modern Turkey, a bit like a darker Pride & Prejudice or a more optimistic Virgin Suicides.
A strange little movie based on a poem novel by an Australian author Dorothy Porter – a fact I had no idea about before watching it, but you can guess its literary roots from the kind of dialogue that probably sounds fine on the page but comes off as mighty pretentious and unnatural onscreen.
I finally watched this 90s classic, partly to put an end to the horrified what you haven’t seen The Shawshank Redemption??? reactions I invariably got from friends and acquaintances. Yes, it absolutely deserves its reputation as a great movie.
