Sarah Blasko – Eternal Return
Sarah Blasko’s musical output over the years has been remarkably consistent and she’s not about to trip over with her fifth album – this one a tad more pop orientated and synth-heavy, with 80s flavour to some of the songs. Quality listen and solid songwriting from start to finish. I can’t say I’ve ever been emotionally moved by her music – even at her most confessional there’s just something chilly and distant about it all – but there’s definitely something very beguiling about her and her raspy-yet-ethereal voice.
I went and saw The Force Awakens again. My first reaction was incredibly mixed bordering on negative, but then I found that some of the better elements got stuck in my head in a way a merely mediocre movie simply wouldn’t manage. So I wanted to find out if this was a movie with huge massive problems I could still really like (like Prometheus), or whether its good aspects are ultimately overwhelmed by the flaws. After watching it again I think it’s definitely the former, because otherwise this giant post wouldn’t happen, but I also got a better idea of why so many things about it feel unsatisfying, particularly in the light of some discussions on the internets that sprung up after the movie’s release.
I generally enjoy the movies about dysfunctional families, and I liked this one a lot despite its annoying artsy pretensions. Maybe Juno is to blame, but it just bugs me when a movie practically waves arms at you and cries, oooh look at me, look at me and how quirky I am oooh! Just so you know how different I am, let’s open with a random scene of people yodeling! Fortunately, the movie had enough strong character writing and acting to compensate for the eye-rolling bits.
Gillian Flynn has a fascination with the bleak side of life, for sure. Gone Girl was dark and cynical, and this one had all that plus a whole lot more blood, poverty and Satanism on top. I’m glad I read it in an overall good mood, otherwise my mental state might have spiralled down a tad.
This movie’s been out for seven weeks or so, and I half-expected to be shoved in a tiny theatre, but instead it screened in one of the largest ones, which was a bit strange. I guess it’s the film’s last hurrah before Force Awakens takes over 95% of the world’s cinemas in two days’ time.
I really liked I Love You, Honeybear, the second album by Father John Misty (real name Josh Tillman), silly title and all, so when I heard he was touring Melbourne I jumped at the chance to see him live. Besides, Forum Theatre is probably my favourite music venue in Melbourne and it’s always nice to be there again under its fake starry sky.
I’m a big fan of Akunin’s Erast Fandorin mysteries, so I was very interested to check out his other series, once again set in the 19th century Russia and featuring Pelagia, a ginger-haired, bespectacled young nun who lives in a small town of Zavolzhsk.
