The Piano Teacher – Film Review

pianoteacher_1130_430_90_s_c1Michael Haneke’s Hidden was one of those strange unsettling films with one truly shocking scene that lingers in your mind for a very long time, so I was curious to see more of his stuff. The Piano Teacher certainly ticks the controversial and shocking boxes, but I’m afraid I was less than impressed this time around.

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Arrival – Film Review

arrivalWARNING – contains spoilers

I don’t normally include spoilers in my reviews, but with this movie I wanted to elaborate more on why certain parts of it worked or didn’t work for me, and that’s impossible to do without revealing the film’s key moments. So don’t read this if you plan on seeing the movie.

The title refers to the arrival of strange extraterrestrial vessels over twelve seemingly random spots on the globe (including Australia, which left me feeling childishly pleased about it – we might be a relatively insignificant country of 25 million, but we’re included woooo). To find out the intentions of the aliens, the U.S. military recruits linguist Dr. Louise Banks (Amy Adams), along with scientist Ian Donnelly (Jeremy Renner), who they hope can break through the colossal language barrier and communicate with these mysterious beings. They are allowed entry into the spacecraft at regular intervals, where they attempt to establish a common language with their hosts. Their efforts are mirrored by the other nations around the world, but as the fear of the unknown grows and the lines of communications shut down, it’s a matter of time before someone opens the fire.

The good stuff first I guess. Visually the movie is rather marvellous, shot mostly with elegant muted tones that create an atmosphere of unease and suspense, helped along by the moody score. The alien ships, which resemble a gigantic coffee bean sliced in half, are wonderfully strange and the sight of them hovering closely above the earth is eerie and awe-inspiring, bringing to mind the black monoliths from 2001: A Space Odyssey. The aliens themselves, squid-like creatures who communicate by spraying jets of black smoky substance which arranges itself into fluid circular patterns, are likewise truly otherworldly. It’s hard to portray a squid-like alien without inviting some degree of B-movie cheese, but this film manages it. I also liked the reliance on brain over brawn and the CGI-laden third act, and as someone fascinated by the languages I enjoyed watching Louise and Ian’s breakthroughs in deciphering the language that makes the Egyptian hieroglyphs look like piece of cake to solve. This process, as demonstrated by the scene where Louise takes off her space suit and attempts a more human, tactile way of introducing herself, is not just about cold data – it’s about real connection and understanding.

This is where I go into real spoiler territory. Read more

Lawrence of Arabia – Film Review

30arabia1-superjumboI wish I could have watched this movie at the cinema, or at least on one of those enormous TV screens they taunt you with at JB Hi-Fi, because I don’t think my TV did it justice. This is a big fat epic of a film, so epic in fact it actually has an official intermission in the middle of its nearly four-hour running time. It’s interesting that, while TV series binge-watching is a fairly normal thing nowadays, that kind of episodic viewing still doesn’t have the same feel as watching a very long feature film.

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Doctor Strange – Film Review

doctor-strange-1By and large, Marvel superhero movies always feel like eating candy floss to me: they’re fun and high on in-the-moment sugar hit, but they melt away from memory just as quickly and there’s really not much substance there, even in terms of big blockbuster substance. Doctor Strange is pretty much more candy floss, but at least it’s spiked with some weird and trippy substances, and the rich, inventive, mind-bending visuals do a lot to lift a standard cookie-cutter plot.

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Ida – Film Review

idaEvery still from this Polish black-and-white movie deserves to be put in a frame and hung on the wall – filmed with a photographer’s eye for composition and juxtapositions of light and dark, it’s one of the most striking films I’ve seen. It’s perhaps too restrained and minimalist for me to find it truly affecting, despite its emotional revelations, but the photography and the two compelling central performances make it a worthwhile watching.

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Let the Right One In – Film Review

let-the-right-one-inExcellent Swedish adaptation of John Ajvide Lindqvist‘s macabre novel, which is one of the more original takes on the well-trodden vampire genre and is as far from the romantic and glamorous depictions of vampires in popular culture as you can imagine. It’s also a movie about children that is in no way meant for children.

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The Lord of the Rings: favourite movie moments

I had a week off work some time ago, so I decided to rewatch all three extended editions of The Lord of the Rings trilogy back-to-back. Much like the movies themselves, it was an epic undertaking that started at around 9am and, with various breaks, came to the conclusion at almost midnight. I’m happy to say that they are still marvellous films and crème de la crème of the fantasy genre. I thought it would be fun to do a personal Top 10 moments from the trilogy and talk about the scenes or moments that, for various reasons, stayed with me the most. I also realised, when doing the list, what a huge part Howard Shore’s incredible score played in making many of them memorable.

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The Big Lebowski – Film Review

the-big-lebowski-1I didn’t get to see this Coen brothers cult comedy upon its release in 1998, partly because a film critic I more or less trusted gave it a tepid review – this was back in the dark ages of dial-up internet when I only just tiptoed into the world of online film criticism. It’s probably just as well that I didn’t watch it then, because it took me a while to “get” the Coens and their brand of offbeat humour.

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