I really enjoyed this peculiar, freewheeling Norwegian dark comedy-drama about a young woman battling indecisiveness as she approaches 30s, despite some problems with the writing that made it feel a tad shallow.
Another Australian cinema classic I always meant to watch for the last twenty years, Lantana is a moody and incisive examination of trust and fractured relationships, finely interweaving complex character drama with a police investigation.
The new noirish Batman reboot from Matt Reeves is one of those frustrating instances when I can’t decide if the movie’s strengths win over its major flaws, or vice versa. There’s a lot to admire about it, but it’s also overstuffed and punishingly long.
This camp classic-slash-disaster would have been a pretty forgettable movie if not for Faye Dunaway‘s unhinged, all-guns-blazing performance that somehow transcends the conventional ideas of “good” or “bad” acting. It is truly something else.
I had mixed feelings about this slow-burn Netflix drama initially, but then I found myself thinking about it for days afterwards, so the least I can say for it is that it lingers.
Pedro Almodóvar’s latest film with Penelope Cruz mixes personal drama and political commentary in a warm, empathetic, twist-laden story about two very different single mothers.
I kept my fingers crossed for the new adaptation of Frank Herbert’ notoriously unfilmable sci-fi classic to succeed ever since watching the awe-inspiring trailer… and Denis Villeneuve’s bold, mesmerising epic doesn’t disappoint. I wish I could say this more often.
I finally got around to watching Akira Kurosawa’s groundbreaking and influential 1950 masterpiece about the nature of truth. Though many movies since have borrowed its unconventional narrative structure and the idea of multiple perspectives of the same event, the film still remains an effective and striking watch today.
Hugh Jackman’s layered performance – probably his finest in a long and varied career – is the main reason to watch this uneven movie, based on a real-life high school embezzlement scheme.
Judi Dench gives a touching, understated performance in a movie based on a powerful true story about an elderly Irish woman searching for her son, given up for adoption when she was young and living at a convent for unwed mothers.