“Time spent with cats is never wasted.”
– Sigmund Freud
– Sigmund Freud
Based on a true story of Einar Wegener/Lili Elbe, one of the first people to undergo sexual reassignment surgery in 1920s, The Danish Girl is unfortunately too wispy, sentimental and suffocatingly conventional to do its subject justice.
I had such great time at this concert. Beautiful venue and incredibly enthusiastic audience; I’m used to the Melbourne crowd being reserved, but from the moment Gillian Welch and David Rawlings, her musical partner (and amazing guitarist), walked onstage they got nothing but cheers and rapturous applause throughout the show.
It’s rather hard to judge a film like Spotlight. The topic of child abuse and cover-up within the Catholic Church is extremely powerful and arouses strong emotions, and the film boasts an exceptional ensemble cast (Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber, Stanley Tucci) who all put in good performances. At the same time, there’s nothing particularly exceptional about the way the movie’s made – it has no visual flair and while the characters were solid none of them really grabbed me. To someone who sees visuals and characters as two of the main pleasures of the cinema it’s a serious drawback. Yet one can also argue that the film’s drabness, unfussy cinematography and lack of focus on one particular character works in its favour, grounding it in a way that a more flashy approach wouldn’t and putting the focus back on the larger topic and the process of investigation.
Carol is a beautiful, lavish, sensual and moving love story set in the 1950s New York. It opens with a scene in a restaurant where two women are interrupted by the friend of one of them. We don’t know what’s going in the scene, yet right off the bat there’s a strange sense of intimacy between the two, and a feeling that their conversation is important. This subtle, nuanced play of emotions and mood is what’s ultimately the movie’s greatest pleasure, along with the gorgeous cinematography and period re-creation and some truly fabulous clothes.
Despite its bland boring title and a subject matter that doesn’t interest me in the least, this was probably the funniest movie about how greed, stupidity and self-interest ruin the world and nobody can do a bloody thing about it.

Based on a true story, The Revenant is a grim, bloody, yet beautifully shot story of revenge and endurance that ultimately left me cold (no pun intended).
Sarah Blasko – Eternal ReturnSarah Blasko’s musical output over the years has been remarkably consistent and she’s not about to trip over with her fifth album – this one a tad more pop orientated and synth-heavy, with 80s flavour to some of the songs. Quality listen and solid songwriting from start to finish. I can’t say I’ve ever been emotionally moved by her music – even at her most confessional there’s just something chilly and distant about it all – but there’s definitely something very beguiling about her and her raspy-yet-ethereal voice.
– G.K. Chesterton
I went and saw The Force Awakens again. My first reaction was incredibly mixed bordering on negative, but then I found that some of the better elements got stuck in my head in a way a merely mediocre movie simply wouldn’t manage. So I wanted to find out if this was a movie with huge massive problems I could still really like (like Prometheus), or whether its good aspects are ultimately overwhelmed by the flaws. After watching it again I think it’s definitely the former, because otherwise this giant post wouldn’t happen, but I also got a better idea of why so many things about it feel unsatisfying, particularly in the light of some discussions on the internets that sprung up after the movie’s release.
SPOILERS!
SPOILERS!
SPOILERS!
MASSIVE SPOILERS AHOY!