It’s rather hard to judge a film like Spotlight. The topic of child abuse and cover-up within the Catholic Church is extremely powerful and arouses strong emotions, and the film boasts an exceptional ensemble cast (Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber, Stanley Tucci) who all put in good performances. At the same time, there’s nothing particularly exceptional about the way the movie’s made – it has no visual flair and while the characters were solid none of them really grabbed me. To someone who sees visuals and characters as two of the main pleasures of the cinema it’s a serious drawback. Yet one can also argue that the film’s drabness, unfussy cinematography and lack of focus on one particular character works in its favour, grounding it in a way that a more flashy approach wouldn’t and putting the focus back on the larger topic and the process of investigation.
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