I absolutely loved Kate Atkinson’s brilliant and inventive Life After Life from a few years back, a genre-defying novel that portrayed the many parallel lives of its heroine Ursula Todd in the first half of the 20th century. It also introduced the readers to the rest of the Todd family, among them Ursula’s beloved younger brother Teddy who becomes a bomber pilot in World War II. In the final “life” of the novel, Teddy gets a miraculous reprieve: presumed dead by everyone, he survives the war and comes back after having spent time as a POW. A God in Ruins takes that ending and runs with it, exploring Teddy’s war as well as his post-war life, a life that he never really expected to have.
My first reaction to the title of this movie was to wonder if it was something in the spirit of Pride and Prejudice and Zombies, maybe a horror parody of Henry James’ The Portrait of a Lady? But no, instead this exquisite French film is a sumptuous and sensual drama about an impossible love between two women in 18th-century Brittany.
I appreciated this new take on Louisa May Alcott’s beloved semi-autobiographical novel more than I loved it, which is not to say that there weren’t things I unabashedly loved.
Gorgeous introspective music for the soul from a new favourite and the old one.
This divorce drama from writer/director Noah Baumbach, something of a modern take on Kramer vs. Kramer, may not re-invent the wheel but offers an honest, heartfelt, sad and funny look at a failed relationship and its painful aftermath. Moral of the story: if you want an amicable divorce, stay the hell away from the lawyers.
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