Nocturnal Animals – Film Review

nocturnal-animals-amy-adams-imageCaught up with the other Amy Adams movie released recently, and a very different beast to Arrival where she also starred. Directed by Tom Ford, it’s exquisitely photographed, strongly acted, and does well to create meshing narratives with their own moods and textures, but in the end it all felt rather hollow and trying-too-hard. There’s much to admire about it, but my reaction in the end pretty much boiled down to, so what.

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Frances Ha – Film Review

frances-ha-film-still-3I wasn’t sure at first if I could warm up to this movie about a bunch of twenty-somethings in New York, but in the end it was charming and well-observed enough to endear itself, though its charm is a tad on the self-conscious side. It doesn’t hurt that the movie is shot in rather plush and gorgeous black-and-white, evoking memories of Woody Allen’s Manhattan.

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Rogue One: A Star Wars Story – Film Review

rogue-one-jyn-ersa-geared-upCome back, Star Wars prequels, all is forgi…

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Ok maybe not. But given the choice, I think I’d still prefer to re-watch George Lucas’ misguided trilogy rather than this latest soulless snorefest from Disney. As terrible and stilted the prequels are, they’re at least terrible in a zany, colourful and unique way and whatever else they made me feel it wasn’t boredom.

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Elle – Film Review

elleI caught what was probably one of the last screenings of this film in Melbourne, from the far left seat in the first row of a tiny movie theatre. Which usually would have been a major source of irritation – I hate sitting too close to the screen at the movies – but all of that went out of the window as soon as it started. With less than half a month left to 2016, I feel pretty safe in saying it was my favourite film and best lead performance I’ve seen all year. While elegantly shot and full of oh-so-tasteful-and-French interiors, it’s very much a Paul Verhoeven film, provocative and full-blooded.

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Baraka – Film Review

baraka-blue-ray_0-pageA striking and mesmerising documentary with no conventional narrative, Baraka presents a collection of sights and sounds from around the globe – mountains, places of worship, cities, wilderness – as a sort of lush travelogue, set alternately to tribal beats and rather New Age-y soundtrack.

The sights of the movie are not always beautiful, detouring at one point to the humanity’s darker places like the concentration camps and Cambodia’s killing fields, as well as sweatshops and overcrowded slums in South America and Asia. This is probably going to be the shortest film review I’ll ever do, because this movie is one to experience, rather than talk about. It’s an ambitious achievement that really leaves you in awe of the world’s sheer variety and splendour, and reminds me of the sadness I always feel at the thought of seeing only a tiny little sliver of the world in my lifetime. It’s a moving portrayal of faith and nature even if you’re an atheist like myself and find hippy-drippy sentiments maybe a tad cringey.

More images from the film:

The Piano Teacher – Film Review

pianoteacher_1130_430_90_s_c1Michael Haneke’s Hidden was one of those strange unsettling films with one truly shocking scene that lingers in your mind for a very long time, so I was curious to see more of his stuff. The Piano Teacher certainly ticks the controversial and shocking boxes, but I’m afraid I was less than impressed this time around.

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