Get Out – Film Review

My only regret with this film is that I already knew the big reveal beforehand from watching a spoiler-filled review. I’ve no idea why I did this to myself, I can’t even blame the reviewer who was thoughtful enough to include a spoiler warning – but I just kept on watching. The movie was still hugely enjoyable and suspenseful, and had other twists and surprises up its sleeve, I just wish I came into it knowing as little as possible.

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The Witch – Film Review

A very effective and disturbing exercise in slowly escalating dread, The Witch is the sort of movie where you sit on the edge expecting something really bad to happen any minute now. It doesn’t have many big jump scares but the claustrophobic setting, moody and muted visuals (the film is shot in natural light, with only candles providing the artificial one), spooky music and the unsettling implications of horrible things happening offscreen all work together to create a superb atmosphere of unease.

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Apocalypto – Film Review

I came across this one thanks to the most excellent History Buffs YouTube series, a show dedicated to reviewing historical movies run by a British guy called Nick Hodges. Nick is not a fan of Mel Gibson movies to put it mildly and he panned Apocalypto mercilessly for its many gross historical inaccuracies and the overall misrepresentation of the Mayan culture, with Gibson rolling his Mayans and his Aztecs into one. While his criticisms seemed legitimate, I’m way more forgiving towards the movies fudging historical facts for drama, and the film looked visually interesting at the very least. Besides, who else out there is making movies about a pre-Columbian civilisation shot exclusively in the Mayan dialect? I’ll take my Mayan movies where I can get them.

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Winter’s Bone – Film Review

winters-bone-2010-blu-ray-720p-mkv_snapshot_00-09-12_2010-11-29_23-48-50.jpgBleak and gritty drama set in the Ozark Mountains of Missouri, featuring an outstanding breakout performance by the pre-Hunger Games Jennifer Lawrence that actually deserved to win an Oscar (don’t get me wrong, she was good in Silver Linings Playbook, but I always thought that her win that year was about Hollywood crowning its new big bright star more than anything else).

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Nocturnal Animals – Film Review

nocturnal-animals-amy-adams-imageCaught up with the other Amy Adams movie released recently, and a very different beast to Arrival where she also starred. Directed by Tom Ford, it’s exquisitely photographed, strongly acted, and does well to create meshing narratives with their own moods and textures, but in the end it all felt rather hollow and trying-too-hard. There’s much to admire about it, but my reaction in the end pretty much boiled down to, so what.

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Frances Ha – Film Review

frances-ha-film-still-3I wasn’t sure at first if I could warm up to this movie about a bunch of twenty-somethings in New York, but in the end it was charming and well-observed enough to endear itself, though its charm is a tad on the self-conscious side. It doesn’t hurt that the movie is shot in rather plush and gorgeous black-and-white, evoking memories of Woody Allen’s Manhattan.

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Rogue One: A Star Wars Story – Film Review

rogue-one-jyn-ersa-geared-upCome back, Star Wars prequels, all is forgi…

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Ok maybe not. But given the choice, I think I’d still prefer to re-watch George Lucas’ misguided trilogy rather than this latest soulless snorefest from Disney. As terrible and stilted the prequels are, they’re at least terrible in a zany, colourful and unique way and whatever else they made me feel it wasn’t boredom.

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Elle – Film Review

elleI caught what was probably one of the last screenings of this film in Melbourne, from the far left seat in the first row of a tiny movie theatre. Which usually would have been a major source of irritation – I hate sitting too close to the screen at the movies – but all of that went out of the window as soon as it started. With less than half a month left to 2016, I feel pretty safe in saying it was my favourite film and best lead performance I’ve seen all year. While elegantly shot and full of oh-so-tasteful-and-French interiors, it’s very much a Paul Verhoeven film, provocative and full-blooded.

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