I can’t say I’m a huge fan of body horror, but I really loved this brash, bold and obscene fable that feels like a work of singular vision despite easily spotted influences.
Each unhappy family is unhappy in its own way, as the famous Leo Tolstoy quote goes. It’s fair to say that the unhappy family in this quirky and zestful novel is quite unlike anything else I’ve read about.
The American remake doesn’t pack the brutal punch and thematic weight of the original, but it still works as a tense and gripping psychological thriller with some strong performances.
This bleak, cruel and twisted Danish horror film would have been unbearable if it didn’t also explore some interesting ideas about politeness and boundaries. It still made me feel not quite myself for the rest of the evening.
Bill Bryson takes a speedy yet comprehensive tour through the human body, and reveals it as miraculous, complex, a bit gross and more mysterious than you’d think.
I finally caught up with this solid if unexceptional remake of the 1997 Norwegian thriller, one of the few Christopher Nolan films I’ve never seen before.