Star Wars: Episode V – The Empire Strikes Back – Film Review

Lukevaderesb-2Out of all original trilogy films, I was curious to rewatch this one the most, because I’m sure I had only ever seen it once, and remembered virtually nothing except the big scenes that even little green aliens on Mars probably know about. And something about the ice planet. Oh and this totally not awkward scene:

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So… am I watching Star Wars or Game of Thrones?

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Steve Jobs – Film Review

steve-jobs-movie-poster-800px-800x1259-copyI was glad I wasn’t the only person interested in the 10am Saturday session of this movie at the Palace Cinema Como. It’s no fun being by yourself in an empty cinema, as I found out last year. Luckily, two more people showed up to sit behind me mid-commercials, and even better, they turned out to be a nice quiet couple who didn’t act as if they were watching Netflix at home, so I didn’t have to shush or employ a basilisk stare.

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Brooklyn – Film Review

MTM0MTYyMzA4OTYzMjc2MDUwI guess I can just get all the adjectives to describe Brooklyn right out of the way: charming, heartfelt, sincere, sweet, warm, unpretentious, lovely, old-fashioned, gentle. Whether it deserved its recent Best Picture Oscar nomination is debatable – it’s more of a filler to make up the numbers than a serious contender – but there’s no denying its modest appeal.

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Star Wars: Episode IV – A New Hope – Film Review

star-wars-new-hope.jpgFor all its massive flaws which I wrote plenty about, The Force Awakens did manage to pull me into the Star Wars world, so I’ve decided to revisit the original trilogy, which I haven’t seen in over 15 years. Well, not the “original” trilogy but the one George Lucas updated, which is ironic considering that all that extra CGI crap he added looks really really dated these days. Luckily, the annoying tweaks in this movie are minimal and mostly involve a few fake-looking critters and environments.

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Room – Film Review

room1This movie had one hell of a harrowing premise: a young woman is imprisoned in a tiny garden shed for seven years, together with her five-year-old son Jack born as a result of her captor’s visits. In order to create some kind of semblance of normality for the boy, she pretends that the 10 square metres they’re trapped in is in fact the entire world, that beyond the walls and the roof window there’s nothing but outer space, that the humans he sees on TV are make-believe.

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Spotlight – Film Review

spotlightIt’s rather hard to judge a film like Spotlight. The topic of child abuse and cover-up within the Catholic Church is extremely powerful and arouses strong emotions, and the film boasts an exceptional ensemble cast (Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber, Stanley Tucci) who all put in good performances. At the same time, there’s nothing particularly exceptional about the way the movie’s made – it has no visual flair and while the characters were solid none of them really grabbed me. To someone who sees visuals and characters as two of the main pleasures of the cinema it’s a serious drawback. Yet one can also argue that the film’s drabness, unfussy cinematography and lack of focus on one particular character works in its favour, grounding it in a way that a more flashy approach wouldn’t and putting the focus back on the larger topic and the process of investigation.

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Carol – Film Review

carolCarol is a beautiful, lavish, sensual and moving love story set in the 1950s New York. It opens with a scene in a restaurant where two women are interrupted by the friend of one of them. We don’t know what’s going in the scene, yet right off the bat there’s a strange sense of intimacy between the two, and a feeling that their conversation is important. This subtle, nuanced play of emotions and mood is what’s ultimately the movie’s greatest pleasure, along with the gorgeous cinematography and period re-creation and some truly fabulous clothes.

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